Skip to main content

European Photographers (R-Z and Unattributed), 1860 - 1920

 File — Box: 2

Scope and Contents

  1. Emil Rabending, (Germany 1823-1886), Vienna, Austria: Standing bearded man in suit, boots and hunting overcoat, holding double-barrel hammer shotgun, with dog at his feet in studio setting, ca 1865. Small blue back imprint; pencil notation in old German script, “Ludw[ig] Kunkel.” HP.2001.13 / 186743
  2. [Bottom of card cut off] Emil Rabending, Vienna, Austria: Vignetted ¾ bust of bearded man, ca 1866. Brown back imprint with 1865 medal and blue added notice ribbon that studio will be moved after January 1867. HP.2001.13 / 186744
  3. H. B. Randall, Publisher, Liverpool, England, United Kingdom: Horizontal view of Lime Street, Liverpool, 1860s. Pencil caption. HP.2001.05 / 201520
  4. Theodore Carl Christian Voss Rathsach (1839-1911), Frederiksborg, Denmark: Vignetted standing man with moustache, in white clothes and chef’s hat ca 1860s-70s HP.2001.13 / 186612
  5. H. Richers, Hannover, Germany: Hand painted print: Small boy in uniform, in studio setting, ca 1880s. HP.2003.31 / 201732
  6. Charles Reutlinger (German, born 1816), Paris: Vignetted semi-profile head of woman with hair braided and coiled on top ca 1870. Full back imprint shows medals won and arms of Prince of Wales HP.2001.13 / 186632
  7. Charles Reutlinger, Paris: Adelina Patti (1843-1919), operatic soprano, ca 1870-75. HP.2003.31 / 201644
  8. Leopold Reutlinger (1860-1937; son of Charles), Paris: Vignetted small shaggy dog with bells on collar; seated on cushion on draped table, ca 1895-1900. Gold back imprint notes 16 medals won, elevator and telephone in studio. HP.2001.13 / 186633
  9. James Robertson, Miniature Painter and Photographer, Glasgow, Scotland, United Kingdom: “Mrs. Jas. Ballantine / Greenock. 25th July 1862.” Red center imprint with palette and brushes under ink identification. [Thus far still uncertain if this is the famous photographer who worked in the Crimea and the Middle East, but it is possible.] HP.2001.13 / 186716
  10. [Hand-retouched albumen on cut-down card] Francisco Rojo é Hijo [Francisco Rojo Mellado (1817-1890) and Francisco Rojo Gonimar (b. ca 1843)], Malaga, Spain: Bearded man in uniform, with sword and full front cross braid and buttons on tunic, standing between studio table and overstuffed chair, ca 1865-73. Ink inscription, “Te abrazo” (I embrace you) above small red design with scientific, photographic, art, and musical implements above imprint of “Spanish Photography” and street address of Calle de Salinas No. 4, which the only published history of photography in Malaga declares to have few extant examples, making this and the next four items of research importance for this studio that was a leader in several ways. HP.2001.13 / 186672
  11. Francisco Rojo é Hijo: Heavy-set woman in striped full-skirted dress, with dark overjacket and fringed shawl, with mantilla, and holding closed fan, ca 1865-73. Same back imprint as previous item but in black on white; see comment above. HP.2001.13 / 186673
  12. Francisco Rojo é Hijo: Young woman in layered full skirt and flowered top with lace shawl, standing in studio with hands on overstuffed chair, ca 1865-73. See above comments. HP.2001.13 / 186674
  13. Francisco Rojo é Hijo: Vignetted ¾ bust of same young woman as previous item, with Cross on choker ribbon and hair in long braid on one side, ca 1865-73. See above comments. HP.2001.13 / 186675
  14. Francisco Rojo é Hijo: Bearded priest in white cassock with hood, standing with one hand on studio table and holding photo album down in other. See above comments. HP.2001.13 / 186676
  15. August Rombaut, St. Nikolaas, Belgium: Enameled print of little boy in chair with Zouave uniform and bugle, ca 1880s. HP.2001.05 / 201387
  16. Charles Roose (1831-?), Gand, Belgium: Oversize standing young man with silk hat and cane, 1860s. Flourished inscription on back to friend Desire Lecroy Bosschaerts. HP.2001.05 / 201388
  17. Rossi, Father and Son, Neuchatel, Switzerland: Two Swiss soldiers by table with wine bottle and glasses, ca 1880. HP.2003.31 / 201657
  18. Charles Rozet, Brussels, Belgium: Infant girl in one-shoulder dress, seated on table, 1860s. HP.2001.05 / 201562
  19. Camille Ruf, 1872-1939, Mannheim, Darmstadt, and Freiburg, Germany and Basel, Switzerland: vignetted mat collodion print; ¾ bust of young man with striped bow tie, Mannheim, 1899. Extensive detail in back imprint about medals and locations, plus rubber stamp of new entrance. HP.2002.05 / 187440
  20. John B. Russell, Kirkwall and Thurso, Scotland: Young man in suit with hand on velvet studio chair, 1880s. Full back imprint in red on ivory, with African man photographing an elephant. HP.2001.05 / 201527
  21. [Semi-gloss P. O. P.] Fritz Sachsze, Elbing (East Prussia, Germany; now Elblag, Poland): Vignetted bust of man with large beard and wire-rim glasses ca 1895-1900 HP.2001.13 / 186645
  22. Henri Sacré, Brussels, Belgium: semi-gloss P.O.P. print, standing girl in communion dress, ca 1900. HP.2001.05 / 201563
  23. George L. Sanders, Chemist, Tiverton, England (United Kingdom): Elderly man in two-color suit and bow tie, sitting by studio table with desk set of quill pen jar, ink well, and sand jar in rack ca 1860. Central back imprint with phoenix rising from flames with key in beak above name. HP.2001.13 / 186700
  24. Sanitas, Clermont-Ferrand, France: Street view of Rue Blum, Clermont, France. No HP# / 131779
  25. Sanitas, Clermont-Ferrand, France: Horizontal view of “Hotel Moroteur,” Clermont, France. No HP# / 131778
  26. [Bottom of card cut off] W.A. Sawyer, Walmer, England, United Kingdom: Small boy in dress with lace overdress, holding toy bull dog while standing by base of studio column before painted backdrop, ca 1870. Horizontal back imprint. HP.2001.13 / 186701
  27. Nestor Schaffers (1816-1896), Gand, Belgium: Carbon print of artillery soldier with waxed moustache and pince-nez, in dress uniform, ca 1880-85. HP.2001.05 / 201389
  28. Gustav Schauer, Berlin: Undersized card with clipped corners; horizontal view of the Brandenburg gate, Berlin, 1860s. HP.2001.05 / 201457
  29. C. Schwartz, Berlin, Germany: Prince Frederick of the Netherlands (1797-1881); brother of King Willem II of the Netherlands, married Princess Louise, daughter of King Friedrich Wilhelm III of Prussia; in Prussian uniform. HP.1999.42 / 176866
  30. C. Schwartz, Berlin, Germany: Princess Marie of the Netherlands (1841-1910); daughter of Prince Frederik of the Netherlands and Princess Louise of Prussia. HP.1999.42 / 176865
  31. Pascal Sebah, Constantinople (Istanbul), Turkey: Standing man in regional uniform, with two large holsters, two pistols, and other shooting equipment, in studio setting—apparently a marksman or formalized hunter, ca 1875. Violet back imprint with name and address in French and Arabic; with two pencil notations in different hands in old German script—one seemingly a bad transcription of the other, having errors in spelling—apparently indicating the subject is a shooter named Ali. HP.2001.13 / 186753
  32. Pascal Sebah, Constantinople (Istanbul), Turkey: “239 Howling Dervish,” ca 1865. HP.1999.42 / 176864
  33. Pascal Sebah, Constantinople (Istanbul), Turkey: “154 Sharpener,” ca 1865. HP.1999.42 / 176863
  34. Pascal Sebah, Constantinople (Istanbul), Turkey: “Marchand de ____”. HP.1998.28 / 173285
  35. Pascal Sebah, Constantinople (Istanbul), Turkey: “Voyageur dans Caire.” HP.1998.28 / 173286
  36. Pascal Sebah, Constantinople (Istanbul), Turkey: “Albanais,” an Albanian man. HP.1998.28 / 173287
  37. Joseph Semah, Paris: Bearded balding man with hands in pockets and glasses hanging on string, 1860s. HP.2001.05 / 201438
  38. [Glossy POP] L.H. Serré, Utrecht, Netherlands: Girl and small boy with rustic fence in studio setting ca 1890. Full back imprint with all-seeing eye sun (possibly Masonic) above studio sign leaning over camera and artist’s equipment in landscape; notes studios in two other towns. HP.2001.13 / 186663
  39. [Hand-tinted] Sherwood, St. Maryport, England, United Kingdom: Woman in taffeta crinoline, seated with arm propped on studio table and hand up cheek ca 1860-65. Central back imprint with garter and logo of the Prince of Wales HP.2001.13 / 186702
  40. Giorgio Sommer, Naples, Italy: #2786 Young vegetable seller in studio, holding tail of donkey loaded with produce, 1860s. Hand-colored print. HP.2001.05 / 201480
  41. B. Sparmayer, Herrnhut, Germany: Horizonal view along street to side of church, 1860s. Back imprint with gummed label over one line, “Kirche, Herrnhut.” HP.2001.05 / 201460
  42. B. Sparmayer, Herrnhut, Germany: Horizontal view of a Schwesternhaus (convent building), 1860s. HP.2001.05 / 201461
  43. Stella Atelier, Vienna, Austria: Horizontal nude baby on fur, ca 1905. HP.2001.05 / 201538
  44. R. Stewart, Elgin, Scotland, United Kingdom: Three men seated in a studio setting, ca 1875. Back design with standing lion. HP.2001.13 / 186717
  45. J. F. Stiehm (published by E. Linde and Co. – Sophus Williams): Oversized pink card: Horizontal view of rocky hills with river crossing and railroad tunnel, “#56 Der Plauensche Grund, Dresden” in series “Views of Germany,” 1870s. HP.2001.05 / 201462
  46. Nikolaus Stockmann (b. Galitzia, Austrian Poland 1832?-1905?), Vienna, Austria: Standing young man in uniform (soldier or cadet) with overcoat draped over chair and cap with gloves on table, 1868. Full back imprint with address of four branch studios in Bohemia, lower Austria, and Hungary [Stockmann was the founder of a family group of studio operators] and several lines of old German ink notations with flowing signature and date of 4 October 1868. HP.2001.13 / 186745
  47. Ladislas Straszak, Brussels, Belgium: Bald man in chair with small girl on lap, by table with her hat, 1867-80. HP.2001.05 / 201564
  48. L. Strelysky, Pest, Hungary: Standing man in studio setting, ca 1860s. HP.2003.31 / 201647
  49. [Ellipse crudely cut out and mounted on white card] J.G. Symonds, Ryde, Isle of Wight and Portsmouth, England (United Kingdom): Bearded man in two-color suit, seated frontally with hands on cane, by studio table with inverted silk hat ca 1860s. Central back imprint with initials monogram above two addresses. HP.2001.13 / 186703
  50. T. Taylor, “Photographie Americaine,” Brussels, Belgium: Gem miniature tintype in pink carte de visite mount: Small child in a checkered suit, ca 1882. HP.2003.41 / 201594
  51. T. Taylor, “Photographie Americaine,” Brussels, Belgium: Gem miniature tintype in green carte de visite mount: Small boy in caped overcoat, ca 1882. HP.2003.41 / 201595
  52. F. Tessaro (Swiss, active Antwerp, Belgium), Flemish girl milk seller, 1858-66. HP.2001.05 / 201565
  53. Vilhelm Tilge (1843-1896), Copenhagen, Denmark: #340 Interior of chapel with pipe organ on upper level, 1866-67. HP.2001.05 / 201403
  54. Heinrich Tonnies (1825-1903), Aalborg, Denmark: Full-length man in chair, with arm on table ca 1870s-80s. [Full back design plus pencil and ink notations, "Pastor N.J. Bech"] HP.2001.13 / 186613
  55. J. E. Tourtin, Paris: Four men in various hats, around wine on table in outdoor yard by board fence, ca 1870s. HP.2003.41 / 201584
  56. Carl Tschira, Schopfheim im Wiesenthal, Baden (near Freiburg), Germany: Standing woman in Alsatian regional dress of crinoline with dark overdress and apron, with large dark ribbon bow as hat ca 1865-70 HP.2001.13 / 186646
  57. James Good Tunny, Edinburgh, Scotland: Two women in elaborate bustle dresses, standing together by chair with small basket of flowers on seat, one has hand on other’s shoulder while other holds open book 1860-74 HP.2001.13 / 186718
  58. Enrico Van Lint, Pisa: The Leaning Tower, Pisa, 1860s. HP.2001.05 / 201481
  59. Enrico Van Lint, Pisa: “Galileo’s Lamp” in the Cathedral of Pisa, 1860s. (Bronze chandelier that moved in a way to give Galileo his theory of the pendulum.) Latin notation part of image, plus pencil caption over blind stamp, and explanation on back. HP.2001.05 / 201482
  60. Adrien Vanderplancq, Braine-L’Alloud, Belgium: Enamled P.O.P. of small girl standing in chair by table with photo album displayed, 1900-1906. (“AV” round blind stamp in lower right) HP.2001.05 / 201391
  61. Jean Varenne (1833-after 1904), Brussels, Belgium: Standing man in overcoat and silk hat, with cane and cigar, ca 1885. HP.2001.05 / 201393
  62. Charles-Francois Verbeke-Schodts, Louvain, Belgium: Ellipse masked standing man with hand on table by standing book, ca 1860. HP.2001.05 / 201567
  63. [Semi-gloss POP on black card] C.J.L. Vermeulen, Amsterdam, Netherlands: Bearded man in suit, holding silk hat, seated by studio table with hand touching shoulder of small boy in sailor suit, holding straw hat ca 1895-1900. Full back imprint in gold on pink. HP.2001.13 / 186664
  64. C. J. L. Vermeulen, Amsterdam, Netherlands: Small child in sailor dress, with wheel toy in studio setting, ca 1870s. HP.2001.04 / 184330
  65. Jac. Vetter, Amsterdam: Nude infant on fur drapery, ca 1910. HP.2003.41 / 201585
  66. Vienna Photo Art Company, Belfast, N. Ireland (United Kingdom): Two women in corseted dresses, on standing with hand on book on table by other, who is seated looking at photo album ca 1885. Extensive back design with British and Austrian arms and town arms for Belfast, Larne, adn Newtownards. HP.2001.13 / 186707
  67. Samuel A. Walker, English, active London: “Ecclesiastical Art Photographer to the Bishops and Clergy”: Sir John Herschel, noted English scientist and major figure in the early development of photography, ca 1867-70. HP.2002.08 / 201751
  68. Robert Wallich, Berlin, Germany (Prussia): Heavy-set man with moustache and sideburns, standing in studio setting, holding cane, 1864. Small back imprint with German handwritten ink notation of name and year. HP.2001.13 / 186748
  69. J. and J. Watt, “Watchmakers, Jewellers, Opticians and Nautical Instrument Makers,” Lossiemouth, Scotland: Two seated men—one with tools in hand and pocket, the other wearing Oxford academic cap and holding pen and book—flanking a standing man with a sextant, 1880s?; semi-gloss print, scuffed. HP.2001.05 / 201528
  70. C. Weidinger and Blasel, Linz, Austria: Standing man in elaborate Islamic garb and fez, with jeweled saber scabbard (possibly a yataghan), ca 1900. HP.2001.05 / 201374
  71. F. Weisbrod, Frankfurt, Germany: Standing man in two-tone suit, leaning back against carved studio table with cupids ca 1860s HP.2001.13 / 186647
  72. [Semi-gloss P.O.P.] Theodor Wenzel, Berlin, Germany (Prussia): Vignetted standing man in overcoat and hat, wearing one glove while holding other and with stag-horn cane in other hand, in rustic studio setting. Full back imprint in brown on tan, with cut of large building of studio with street signs and traffic. HP.2001.13 / 186648
  73. H. J. Whitlock, (“By Appointment to H. M. The Queen and H. R. H. The Prince of Wales”), Birmingham, England: Bust of bearded man, n.d. HP.2003.41 / 201588
  74. G. Willis, Scarboro, England: Horizontal view of York Minster with Willis’s tripod dark tent in foreground, 1860s. Full back design with arms and pencil caption. HP.2001.05 / 201521
  75. George Washington Wilson, Aberdeen, Scotland, United Kingdom: Marble bust of Sir Walter Scott by Chantrey, Abbotsford, Scotland (Scott’s home), ca 1860s HP.2001.04 / 184331
  76. George Washington Wilson, Aberdeen, Scotland: #20/95 “The Boat Pier, Loch Katrine,” Scotland, 1860s. HP.2001.05 / 201529
  77. George Washington Wilson, Aberdeen, Scotland: #104D/55 Dryburgh Abbey—Tomb of Sir Walter Scott, 1860s. HP.2001.05 / 201530
  78. George Washington Wilson, Aberdeen, Scotland: #131 Horizontal view “Balmoral Castle—South Front,” 1860s. HP.2001.05 / 201531
  79. George Washington Wilson, Aberdeen, Scotland: #104 A. Dryburgh Abbey, Scotland – Tomb of Sir Walter Scott, ca 1860s. Back inscribed “Aug 5th [18]71.” HP.2003.31 / 201731
  80. George Washington Wilson (Attributed to), Aberdeen, Scotland: #208/124 Horizontal view “Kenilworth Castle” ruins, 1860s. HP.2001.05 / 201532
  81. [Semi-gloss P.O.P. with damaged upper corner] Window and Grove [i.e. Frederick Richard Window], “Automatic Machines Union,” London: “Mr. W. Terriss” [i.e. the English actor William Terriss (1847-1897)] in coat with flower in lapel, ca 1895. Smudged imprint below image appears to indicate the picture was made by the studio and sold through machines, which was the case during the period. HP.2001.13 / 186704
  82. J. and T. Wormald, Ossett, England: Two seated men with derby hats, pipes, and canes, ca 1890. HP.2001.05 / 201522
  83. [Hand-colored albumen] E. Zabern, Strasbourg, Germany / France: Seated woman Alsatian costume, in studio setting ca 1865-70. Back imprint in French reflecting territorial shifts of the region through history, plus pencil notation," Costome [sic] of Elsass" [the German name for Alsace] HP.2001.13 / 186650
  84. Leonard-Hubert Zeyen: Liege, Belgium: Half-length seated woman with velvet bow in hair, ca 1880s. HP.2001.05 / 201568
  85. Leonard-Hubert Zeyen: Liege, Belgium: Ellipse masked half-length bust of young boy with ribbon tie and large shirt buttons, ca 1880s. HP.2001.05 / 201569
  86. Adophe Zimmermans, The Hague, Netherlands: Woman in beaded dress and plumed hat and man in suit and Windsor tie, in studio setting with balustrade ca 1890. Horizontal back imprint in gold on dark red in French; front stamping notes medals won in Belgium (1885), Paris (1886); the photographer later became the royal court photographer. HP.2001.13 / 186666
  87. No imprint, reproduction of old engraving: “The Old Paris. The Bastille and Porte St. Antoine, ca 1860s. HP.2001.04 / 184336
  88. No imprint: Prince Willem of Orange (Netherlands), 1840-1879, in full regalia; son of King Willem III and Sophia of Wurtemburg; his premature death changed the line of succession, ca 1870s. HP.1999.42 / 176867
  89. No imprint, reproduction of engraving: Prince Willem of Orange (Netherlands), 1840-1879, in full regalia; son of King Willem III and Sophia of Wurtemburg; his premature death changed the line of succession, ca 1879. HP.1999.42 / 176868
  90. No imprint: “Returning from the field,” genre scene of a woman with rake and gathered harvest carried on head entering through a gate. HP.1998.28 / 173288
  91. No imprint: “The weather prophet,” posed genre scene of man leaning out of window assessing the weather. HP.1998.28 / 173289
  92. No imprint: “Le Montanvert,” alpine summer scene. HP.1997.38 / 167012
  93. No imprint: Royal family of Queen Isabella II of Spain. HP.1999.15 / 163701
  94. [Carbon print without imprint] Denmark: ¾ bust of balding man with beard and side hair ca 1880 HP.2001.13 / 186614
  95. [NO IMPRINT] France: Boy in school uniform standing by studio table, with kepi under arm 1860s HP.2001.13 / 186619
  96. [No imprint; albumen print on oversize card] France: Curly-haired priest in cassock, sitting with legs crossed in studio setting, with arm on table, holding down open book by human skull (probably a comment on vanitas and memento mori) ca 1860 HP.2001.13 / 186634
  97. [Hand-colored albumen; no imprint] Three girls in German regional costume; one dressed as a man-­ ca 1870 HP.2001.13 / 186639
  98. Standing couple in semi-formal dress, posed stiffly in studio. Ink inscription on back, “Cousin Samuel Scott and his wife / 1879” HP.2001.13 / 186719
  99. [Possibly Belgian, since acquired there] Horizontal group of 28 standing and seated men and boys in suits. There is a considerable range of expressions, and one boy may have an obscene gesture ca 1875-80 (?)
  100. Vignetted bust of battered-looking man with little girl on his lap and leaning against him ca 1860s HP.2001.13 / 186721
  101. [Card trimmed; heavy ink retouching on almost invisible print; No imprint] Seated woman in crinoline with white cap and large white bow ca 1860 HP.2001.13 / 186722
  102. [Probably Austrian; card trimmed at bottom] Heavy-set man with beard and moustache, with hair roached, elbow on carved studio chair ca 1860s HP.2001.13 / 186723
  103. [Acquired in Europe; round-top print] Man(?) with curly hair and moustache, elaborately dressed in woman's taffeta crinoline and velvet jacket over blouse with large sleeves, holding fan and wearing "hat" with dead pigeon, flowers, and straw. Curly hair and moustache appear false, and face seems possibly a woman ca 1865 HP.2001.13 / 186724
  104. [Probably English but print is blind-stamped “F. Sala, Berlin,” a dealer and distributor] “#1278 Prince Albert/ born 26 August 1819.” Caption in ink in German on back indicating dates of birth, death [14 December 1861] and marriage to Queen Victoria [10 February 1840] HP.2001.13 / 186725
  105. [Probably Turkish or mid-Eastern; acquired in Europe] Elderly man with long white hair and beard, wearing western suit, floor-length overcoat and fez with tassel, in studio setting, ca 1870. HP.2001.13 / 186726
  106. [Probably Belgian or French] Nun seated in garden studio setting, with finger in book on lap, ca 1880. HP.2001.13 / 186727
  107. [Probably Austrian, since acquired there; on oversize card pink on front and orange on back—possibly amateur work put on half a stereo card]: Man in suit, with cane and cigar, standing with arm on draped peddler’s cart outdoors against draped wall with open window ca 1880s HP.2001.13 / 186728
  108. [No imprint; Austrian]: Seven soldiers of the Austro-Hungarian army at work with wheelbarrow, sawhorse, and ladder, apparently on a roofing job. Broos [or Szaszvaros], Hungary, 1868. Old German ink notations on back giving names of all but one and other details. HP.2001.13 / 186746
  109. Bust of Sarah Bernhardt in profile. Back identification in red ink, pencil date of 11 Nov. 81, and horizontal violet rubber stamp for Isidor Hatschek, optician, telegraph manager, and photographic dealer in Vienna, Austria. HP.2001.13 / 186747
  110. [No imprint / Spain]: Standing woman in flowered crinoline, with hand on shoulder of standing man in suit, holding large silk hat down by his side, ca 1860s. Handwritten ink notation on back: “El Baron de Barcheta y Carolina Alvarez su Esposa.” HP.2001.13 / 186752
  111. No imprint / France?: ellipse-masked albumen print; ¾ profile of bearded man with pipe and small glasses, before drapery, ca 1875-1880. Ink inscription in French on back: “Negative IV / Finished (i.e. processed or toned) on 22 Feb ’86 with sulfocyanate of gold.” Signed or noted as photo with initials ; apparently a sample of someone’s private photographic experimentation. HP.2002.05 / 187437
  112. No imprint: enameled embossed albumen print removed from card mount. Standing young man in dark suit and white apron with belt holding steel and knife set—most probably a butcher or meat cook—in studio setting, ca 1890. Uncertain of origin; perhaps Dutch or German, acquired in Amsterdam. HP.2002.05 / 187436
  113. No imprint: Seated woman in dress with broad black bands; one hand on table organ, 1860s. HP.2001.05 / 201394
  114. No imprint: Ellipse cut group of four men; back imprint “Courtrai (Belgium), 28 June 1868. Inauguration of [the Funerary Monument Erected to the Memory of __ J. B. Van de Wiele.” Tack holes on each side of the card. HP.2001.05 / 201395
  115. No imprint: Horizontal view from corner of Palace of the Legion of Honor (Paris), 1860s; ink caption on back. HP.2001.05 / 201439
  116. No imprint: Horizontal view of pavilion and park with chairs before columned building named “Conversation,” 1870s. HP.2001.05 / 201440
  117. No imprint: Oversized card of standing soldier with bayoneted rifle; “1” on top of cap, 1860s. HP.2001.05 / 201441
  118. No imprint: Three women and a man seated in conversation group in a parlor, 1860s. HP.2001.05 / 201442
  119. No imprint: Small card of a woman painter in velvet beret and jacket by easel, holding palette and brush (possibly Rosa Bonheur), 1860s. HP.2001.05 / 201443
  120. No imprint: Oversized card; print loose at top corner; standing boy between chair and draped table with open CdV album, 1860s; probably the brother of next portrait subject. HP.2001.05 / 201444
  121. No imprint: Oversized card; smaller boy in same setting as previous picture – probably a brother, 1860s. HP.2001.05 / 201445
  122. No imprint: card and text printing by R. Schlagg’s successor, Berlin: #2843 “Die Warhf am Rhein,” young woman in armor, with sword and large German banner, ca 1870. Back text of “Die Wacht am Rhein,” by Max Schneckenburger. HP.2001.05 / 201458
  123. No imprint (possibly by Schoenscheidt Bros.), Cologne, Germany: Horizontal view of Cologne Cathedral under construction, 1860s. Pencil English caption on back. HP.2001.05 / 201459
  124. No imprint, Germany: Temple of Diana pavilion at Marienbad resort, 1860s. Card trimmed on three sides; back diagram of “Waldmuhle bei Marienbad” first floor of hotel at site, now in Czech Republic. HP.2001.05 / 201463
  125. No imprint, Germany: Horizontal view of railroad bridge with several men and policemen, probably Cologne, 1860s. Uneven tonality, with silvering. HP.2001.05 / 201464
  126. No imprint, Germany: #32 View along business street with fortified tower, unidentified town, 1860s. Back has printed V.T. in corner. HP.2001.05 / 201465
  127. No imprint, Germany: Horizontal side view of large church over rooftops, unidentified town, 1860s. HP.2001.05 / 201466
  128. No imprint, Germany: Horizontal view of uphill entrance to ruins of fortified castle or abbey, 1860s. HP.2001.05 / 201467
  129. Dealer’s sticker for A Chaligne, Paris, over photographer’s imprint: Giacomo Cardinal Antonelli (1806-1876), enthroned, 1860s. Back captions misspelled (Antonelli was Secretary of State to Pius IX, 1848 and 1852-76; temporal ruler of Rome, 1848-1870, and thus called “The Red Pope.” HP.2001.05 / 201483
  130. No imprint, Rome: 8 small round views with captions for major sites in Rome, 1860s. HP.2001.05 / 201484
  131. No imprint, Rome: #7135 [?] Temple of Minerva, Rome, 1860s. HP.2001.05 / 201485
  132. No imprint, Italy: Seated man with moustache and goatee, one hand on knee holding watch with fob on chain; other hand on knee holding card between fingers—some illegible words added in ink by hand. Front imprint has been scraped off; back has bold ink signature, “Giuseppe Cucchi 1864.” HP.2001.05 / 201486
  133. No imprint, Rome: Ellipse masked profile bust of Pope Pius IX, 1878. HP.2001.05 / /201487
  134. No imprint, Rome: Pope Leo XIII enthroned, holding quill pen on document on table, “1878” at lower left (year of election). HP.2001.05 / 201488
  135. No imprint, Netherlands: Glossy P.O.P. print of a seated woman in shirtwaist blouse doing crewel embroidery, ca 1900-05. HP.2001.05 / 201494
  136. No imprint, Norway: #38 Parliament Building, Christiania (Oslo), 1860s. Caption printed in negative. HP.2001.05 / 201495
  137. No imprint, Norway: Horizontal view of Parliament Building, Christiania (Oslo), 1860s. HP.2001.05 / 201496
  138. No imprint, Spain or Italy: Standing man in regional costume with walking stick, leaning on studio prop draped with various fabrics, 1860s. HP.2001.05 / 201502
  139. No imprint, Switzerland: Horizontal copy of engraving of dungeon cell, 1860s. Pencil on back, “Dungeon in Castle of Chillon / Bonnivard’s Captivity / See Byron’s ‘Prisoner of Chillon.’” HP.2001.05 / 201509
  140. No imprint: England: “H. R. H. [Edward] The Prince of Wales / Photographed at Buckingham Palace, the day before the departure of H.R.H. for America, 1860. HP.2001.05 / 201523
  141. No imprint: England: ¾ bust of bearded Edward, Prince of Wales, ca 1870. HP.2001.05 / 201524
  142. No imprint, Belgium: Standing boy in uniform, holding tall candle with white flowers and ribbons for Communion, 1860s. A typical Belgian subject. HP.2001.05 / 201572
  143. No imprint, Belgium: Standing boy in 17th century costume with false sword, probably for Omegang celebration in Brussels, 1860s. HP.2001.05 / 201573
  144. No imprint, Belgium: P.O.P. Outdoor view of standing boy by high chair and ball before vines, ca 1895-1905. HP.2003.41 / 201576
  145. No imprint: Giuseppe Garibaldi, Italian revolutionary, ca 1865. HP.2003.31 / 201646
  146. No imprint: Composite portrait of members of the Swedish and Norwegian royal families. Pictured are Gustaf, Oscar II, and Sophie. No HP# / 201756
  147. No imprint (Belgium): Unidentified woman and man with two dogs on table, in studio setting. No HP# / 201759

Dates

  • 1860 - 1920

Access Restrictions

Researchers may examine original material under supervised conditions in the Reading Room upon approval of request. There are no copy restrictions.

Extent

From the Class: 3.5 Linear Feet (The collection consists of over 1000 photographs, including approximately 1.5 linear feet of European images, 1 linear foot of United States and Canadian images, and 1 linear foot of images in the following subject groups: New Mexico, Latin America, Africa, Asia, U.S. Civil War, and Native American subjects.)

Language of Materials

From the Class: English

Physical Storage Information

Repository Details

Repository Details

Part of the NMHM Palace of the Governors Photo Archives Repository

http://www.nmhistorymuseum.org/collections/photo-archives/
Contact:
113 Lincoln Ave.
Santa Fe NM 87501 USA

Staff Interface | Visit ArchivesSpace.org | v2.8.1 | Send Feedback or Report a Problem