Box 1
Container
Contains 121 Results:
El Primer Amor (first Wescot record heard in Roy, NM, 1915), 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Cornelio Sandoval and Cruz Vigil
Dates:
1940s
El Tulipan (polka), (Tulypan), 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Cornelio Sandoval and Cruz Vigil
Dates:
1940s
El Tulipan (polka), 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Cornelio Sandoval and Cruz Vigil
Dates:
1940s
Taos Round Dance, 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Mike Reyna - Taos and Paul Toya - Jemez
Dates:
1940s
Las Cuatro Milpas, 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Ambrosio Sandoval and Cruz Vigil
Dates:
1940s
Las Golondrinas (La Golondrina), 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Pedro Montoya, Ambrosio Sandoval and Cruz Vigil
Dates:
1940s
Las Cuadrillas (Primera, Segunda, Tercera, Cuarta, Cutillo), 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Cornelio Sandoval and Cruz Vigil
Dates:
1940s
El Burro Cabezon, 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Miguel Lucero
Dates:
1940s
Indita, 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Miguel Lucero and Ernesto Montoya
Dates:
1940s
Criticism of Foster’s Book, Joseph Foster, April 9, 1942
Item — Box: 1, CD: 1
Scope and Contents
Performer: Greg Vigil Gregorio Vigil, from St. Thomas Seminary, Denver, Co, talking to an Hispanic American book study club meeting in New Mexico. Vigil was commenting on the novel, In the Night I Sing, reported to be a true portrayal of Hispanic and Indian life in the Taos Valley, written by Joseph O’Kane Foster in 1942. Foster was from Chicago and in the 1920s had lived in Taos, thereby getting the idea for the book. Vigil was telling the book...
Dates:
April 9, 1942
El Burro Cabezon, October 30, 1941
Item — Box: 1, CD: 1
Scope and Contents
Performer: Miguel Lucero
Dates:
October 30, 1941
La Facundita, 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Santiago Barelas (cantador), Cornelio Sandoval, and Ernesto Montoya
Dates:
1940s
Un Casador (Cazador), 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Santiago Barelas and Miguel Lucero
Dates:
1940s
Para Que Sufra, 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Ernesto Montoya and Miguel Lucero
Dates:
1940s
Alejandra (Vals), 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Cornelio Sandoval and Ernesto Montoya
Dates:
1940s
De Mañana en Ocho Dias, October 30, 1941
Item — Box: 1, CD: 1
Scope and Contents
Performer: Miguel Lucero
Dates:
October 30, 1941
El Borrachito, October 31, 1941
Item — Box: 1, CD: 1
Scope and Contents
Performer: Miguel Lucero
Dates:
October 31, 1941
Indita, 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Miguel Lucero and Ernesto Montoya
Dates:
1940s
La Venada, 1940s
Item — Box: 1, CD: 1
Scope and Contents
Performer: Pedro Montoya, Miguel Lucero, and Ernesto Montoya
Dates:
1940s
Taos Round Dance Song, 1940s
Item — Box: 1, CD: 2
Scope and Contents
Performer: Mike Reyna - Taos Pueblo and Paul Toya - Jemez Pueblo
Dates:
1940s
Salt Lake Song, 1945
Item — Box: 1, CD: 2
Scope and Contents
Performer: Mike Reyna - Taos and Paul Toya - Jemez
Dates:
1945
Taos Song, 1940s
Item — Box: 1, CD: 2
Scope and Contents
Performer: Mike Reyna - Taos Pueblo, Paul Toya - Jemez Pueblo, and Heinrich Shultz - drum
Dates:
1940s
War Dance Song, World War II, January 1945
Item — Box: 1, CD: 2
Scope and Contents
Performer: Mike Reyna - Taos and Paul Toya - Jemez
Dates:
January 1945
Bomb the Berlin, chant, World War II, Native American soldiers going off to fight Germany, refrain heard in song is "Bomb the Berlin," available online, 1940-1949
Item — Box: 1, CD: 2
Scope and Contents
Performer: Mike Reyna, Taos Pueblo and Paul Toya, Jemez Pueblo
Dates:
1940-1949
I don’t care if you marry sixteen times, I’ll get you yet, 1945
Item — Box: 1, CD: 2
Scope and Contents
Performer: Mike Reyna - Taos and Paul Toya - Jemez
Dates:
1945