Cd 7
Container
Contains 10 Results:
Poom-Koa, song of the third circuit
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
ca. 1941-1965; Majority of material found within 1960-65
Pou-Haa, song of the fourth circuit
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
ca. 1941-1965; Majority of material found within 1960-65
Song of the fourth circuit
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
ca. 1941-1965; Majority of material found within 1960-65
Quan-Share or Yórane Dance For the Turtle Dance, 1964
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
1964
Iroquois Dance introduction for the False Face or Mask Dance Song, 1941
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
1941
Dream Song (Entrance of the False faces to the Long House)
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
ca. 1941-1965; Majority of material found within 1960-65
Dance for the False Faces (Husk Faces) and discussions of them
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
ca. 1941-1965; Majority of material found within 1960-65
Dance for the False Faces (Husk Faces)
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
ca. 1941-1965; Majority of material found within 1960-65
Not recorded
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
ca. 1941-1965; Majority of material found within 1960-65
Chippewa 49er song (I don’t care if you marry 16 times, I love you just the same)
Item — CD: 7
Scope and Content
From the Collection:
This collection of 158 songs was collected by Antonio Garcia, Lieutenant Governor of San Juan Pueblo (Ohkay Owingeh), N.M. in 1964 and 1966. Garcia was interested in studying and preserving the ceremonies of his people. The bulk of the songs are performed by the leading singers of the pueblo, some by Garcia. The value of the collection lies in the degree of completeness of the ceremonies recorded. Most of the songs are field recordings; a few are commercially produced. Garcia has established...
Dates:
ca. 1941-1965; Majority of material found within 1960-65