Box 3
Container
Contains 59 Results:
Crowd outside of large building (possibly a mission church), saddled horses, undated
Item — Box: 3
Identifier: Block 26
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Church, background of mountains and clouds in the sky, undated
Item — Box: 3
Identifier: Block 27
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Panorama of a small rural town, mountains in background, undated
Item — Box: 3
Identifier: Block 28
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Fields and trees, with mountains in the background, undated
Item — Box: 3
Identifier: Block 29
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Procession entering a church, undated
Item — Box: 3
Identifier: Block 30
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Three trees on a mountain side, undated
Item — Box: 3
Identifier: Block 31
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Piazza de San Marcos, Venice, with two boats, undated
Item — Box: 3
Identifier: Block 32
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Plaza scene, with many people, man carrying balance, loaded wagon, and a large building in the background, undated
Item — Box: 3
Identifier: Block 33
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Front of a Large Pueblo Revival house 2-story; on the back A Pueblo scene (number labeled on sides), undated
Item — Box: 3
Identifier: Block 34
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Large Smoking Volcano, undated
Item — Box: 3
Identifier: Block 35
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Sketch of man at easel , spiky hair, stool, undated
Item — Box: 3
Identifier: Block 36
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Screen of a photograph of a pig, undated
Item — Box: 3
Identifier: Block 37
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Screen of a photograph of a Middle America-style house, wooden gate, undated
Item — Box: 3
Identifier: Block 38
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Sketch of city, Parking lot, rails/train, pueblo buildings, and airplane, undated
Item — Box: 3
Identifier: Block 39
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Screen of a photograph of large stone school building with many windows, undated
Item — Box: 3
Identifier: Block 40
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Sketch of a what appears to be a man dancing with a horse, undated
Item — Box: 3
Identifier: Block 41
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Screen of a photograph of small rural town, and the train tracks passing through it, "Blacksmith shop" on building, undated
Item — Box: 3
Identifier: Block 42
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Sketch of a pueblo within a ring road, undated
Item — Box: 3
Identifier: Block 43
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Screen of a photograph of pueblo/town with mountains in the background, undated
Item — Box: 3
Identifier: Block 44
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Screen of photo of carvings, #1 man and woman #2 a man (probably by Patrocinio Barela), undated
Item — Box: 3
Identifier: Block 45
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Screen of photo of carvings, #1 man, #2 animal (donkey?) with package on its back (probably by Patricinio Barela), undated
Item — Box: 3
Identifier: Block 46
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Sketch of three people walking in a canyon, undated
Item — Box: 3
Identifier: Block 47
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Screen of photo of painting of Indian man holding a pumpkin (Hennings? Well-known painting DL), undated
Item — Box: 3
Identifier: Block 48
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Sketch of woman talking, undated
Item — Box: 3
Identifier: Block 49
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Sketch of cupid, undated
Item — Box: 3
Identifier: Block 50
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated