Box 3
Container
Contains 59 Results:
Pueblo-style church with adobe buttresses, 2 pointed steeples, with two figures in front, undated
Item — Box: 3
Identifier: Block 1
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Front of a house with a bare tree, pediments on pillars in front, undated
Item — Box: 3
Identifier: Block 2
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Many traditional houses in a city/pueblo with historic marker in foreground, undated
Item — Box: 3
Identifier: Block 3
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Multi-story pueblo, very angular, with mountains in the background, bare tree at side, undated
Item — Box: 3
Identifier: Block 4
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Gazebo, with steps leading up, undated
Item — Box: 3
Identifier: Block 5
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Large mission church and front courtyard, undated
Item — Box: 3
Identifier: Block 6
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Mission Church, with mountains in the background, framed by a tree, undated
Item — Box: 3
Identifier: Block 7
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Mission Church, with attached building and birds in the sky; "M" in lower corner, undated
Item — Box: 3
Identifier: Block 8
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Rural Pueblo Revival house, single story, with mountains in the background, undated
Item — Box: 3
Identifier: Block 9
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Plaza Scene, Gazebo, many trees and people, man reading paper, undated
Item — Box: 3
Identifier: Block 10
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Front of a large building (old Santa Fe school?) partially covered by a tree , steps leading up two sides of front portal, undated
Item — Box: 3
Identifier: Block 11
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Mission Church and houses in the background, man on horse in front, undated
Item — Box: 3
Identifier: Block 12
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Pueblo and church, and a woman with a pot on her head in the front, undated
Item — Box: 3
Identifier: Block 13
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Pueblo with mountains in the background, undated
Item — Box: 3
Identifier: Block 14
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Large house with portal, trees in the background, undated
Item — Box: 3
Identifier: Block 15
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Large church and cross, undated
Item — Box: 3
Identifier: Block 16
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
A teepee and tree, with mountains in the background, undated
Item — Box: 3
Identifier: Block 17
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Two bare trees with a spiderweb, forest and mountains in the background, undated
Item — Box: 3
Identifier: Block 18
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Large detailed church with burro in foreground, bell in entranceway, lots of shrubbery, undated
Item — Box: 3
Identifier: Block 19
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
A few houses with a valley, river, rainstorms, and hills in the background, undated
Item — Box: 3
Identifier: Block 20
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Front of large church with pointed tower, arched doorway, undated
Item — Box: 3
Identifier: Block 21
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
View of a house, agave in front, undated
Item — Box: 3
Identifier: Block 22
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Grand Canyon, undated
Item — Box: 3
Identifier: Block 23
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Bird's eye view of large ranch house with coyote fence, undated
Item — Box: 3
Identifier: Block 24
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated
Scene on a town street, with woman in blanket standing by pole, other pole on other side, undated
Item — Box: 3
Identifier: Block 25
Scope and Content
From the Collection:
The collection consists primarily of wood blocks (with some linoleum and zinc blocks) and prints that were later made from the blocks. The blocks, which came to the University of New Mexico in January 1976, had largely been used to illustrate Taos, N.M. publications associated with Willard “Spud" Johnson, including Laughing Horse, Horsefly, El Crepusculo (particularly the “Horsefly"...
Dates:
undated