Box 6
Container
Contains 74 Results:
Sachs Gallery (New York City, NY),, undated
File — Box: 6, Folder: 26
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
undated
Sacks Fine Art (Cedarhurst, NY),, 1970s
File — Box: 6, Folder: 27
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1970s
Santa Fe Art Auction (New Mexico),, 2000s
File — Box: 6, Folder: 28
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
2000s
Santa Fe Festival of the Arts (New Mexico),, 1970s
File — Box: 6, Folder: 29
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1970s
Seattle Art Museum (Washington),, 1950s
File — Box: 6, Folder: 30
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1950s
Shidoni Contemporary Gallery (Tesuque, NM),, 1980s-1990s
File — Box: 6, Folder: 31
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1980s-1990s
The Silk Screen Group (New York City, NY),, 1950s
File — Box: 6, Folder: 32
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1950s
Smithsonian Institution (Washington, D.C.),, 1980s
File — Box: 6, Folder: 33
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1980s
The Snite Museum of Art at University of Notre Dame (Southbend, IN),, 1990s
File — Box: 6, Folder: 34
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Spiral Group (New York City, NY),, 1950s-1960s
File — Box: 6, Folder: 35
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1950s-1960s
Springfield Art Museum (Missouri),, 1960s-1970s
File — Box: 6, Folder: 36
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1960s-1970s
Sragow Gallery (New York City, NY),, 1980s-1990s
File — Box: 6, Folder: 37
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1980s-1990s
Stables Gallery (Taos, NM),, 1950s-1980s
File — Box: 6, Folder: 38-40
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1950s-1980s
Suann Lasker (Taos, NM),, 1990s
File — Box: 6, Folder: 41
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Susan B. Hirschfeld (New York City, NY),, 1990s
File — Box: 6, Folder: 42
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Susan Teller Gallery (New York City, NY),, 1980s
File — Box: 6, Folder: 43
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1980s
Tamarind Institute (Albuquerque, NM),, 1990s
File — Box: 6, Folder: 44
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Taos Art Association (New Mexico),, 1970s
File — Box: 6, Folder: 45
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1970s
Taos Benefit Art Auction (New Mexico),, 1980s
File — Box: 6, Folder: 46
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1980s
Taos Fine Art Gallery (New Mexico),, 1990s
File — Box: 6, Folder: 47
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Taos Institute of Arts (New Mexico),, undated
File — Box: 6, Folder: 48
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
undated
Taos Institute of Creative Orientation, Inc. (New Mexico),, 1950s
File — Box: 6, Folder: 49
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1950s
Taos Opera Guild,, 1970s
File — Box: 6, Folder: 50
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1970s
Terry Art Institute (Miami, FL),, 1952
File — Box: 6, Folder: 51
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1952
University Art Gallery--State University of New York at Binghamton,, 1970s
File — Box: 6, Folder: 52
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1970s