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Box 5

 Container

Contains 97 Results:

Mizel Musuem of Judaica (Denver, CO),, 1990s

 File — Box: 5, Folder: 98
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1990s

Mortimer Levitt Gallery (New York City, NY),, 1940s-1950s

 File — Box: 5, Folder: 99
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1940s-1950s

Moxley-Ross-Naranjo Gallery (Santa Fe, NM),, 1990s

 File — Box: 5, Folder: 100
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1990s

The Museum of Fine Arts (Houston, TX),, 1960s

 File — Box: 5, Folder: 101
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1960s

Museum of New Mexico Art Gallery (Santa Fe, NM),, 1950s-1990s

 File — Box: 5, Folder: 102-104
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1950s-1990s

203 Fine Art Gallery (Taos, NM),, 2010s

 File — Box: 5, Folder: 1
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 2010s

A.C.A. Gallery (New York City, NY),, 1941-1986

 File — Box: 5, Folder: 2
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1941-1986

Adamson-Duvannes Galleries (Los Angeles, CA),, 1990

 File — Box: 5, Folder: 3
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1990

Albemarle Post Office Mural in North Carolina,, 1939

 File — Box: 5, Folder: 4
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1939

Allene Lapides Gallery (Santa Fe, NM),, 1980s-1990s

 File — Box: 5, Folder: 5-8
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1980s-1990s

American Academy and Institute of Arts and Letters (New York City, NY),, 1980-1981

 File — Box: 5, Folder: 9
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1980-1981

American Federation of Arts (Washington, D.C.),, 1946

 File — Box: 5, Folder: 10
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1946

American Fine Art & Society Building (New York City, NY),, 1940s

 File — Box: 5, Folder: 11
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1940s

Anderson Contemporary Art (Albuquerque, NM),, 1990s

 File — Box: 5, Folder: 12
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1990s

The Annex Galleries (Santa Rosa, CA),, 1988-1989

 File — Box: 5, Folder: 13
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1988-1989

Art Handlers (Santa Fe, NM),, 1980s

 File — Box: 5, Folder: 14
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1980s

The Art Institute of Chicago (Illinois),, 1940-1960

 File — Box: 5, Folder: 15
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1940-1960

The Artist's Gallery (Taos, NM),, 1960s

 File — Box: 5, Folder: 16
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1960s

Artists League of America (New York City, NY),, 1940s

 File — Box: 5, Folder: 17
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1940s

Arvada Center for the Arts and the Humanities (Arvada, CO),, 1990s

 File — Box: 5, Folder: 18
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1990s

Associated American Artists Galleries (New York City, NY),, 1950s-1990s

 File — Box: 5, Folder: 19
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1950s-1990s

Balcaris Corporation (Houston, TX),, 1969

 File — Box: 5, Folder: 20
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1969

Bertha Schaefer Gallery (New York City, NY),, 1950s

 File — Box: 5, Folder: 21
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1950s

Butte Art Center Federal Art Project (Butte, MT),, 1930s-1940s

 File — Box: 5, Folder: 22
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1930s-1940s

Barn Gallery Annex (Santa Fe, NM),, 1963

 File — Box: 5, Folder: 23
Scope and Content From the Collection: The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates: 1963