Box 5
Container
Contains 97 Results:
Blue Door Art Gallery (Taos, NM),, 1940s-1950s
File — Box: 5, Folder: 24
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1940s-1950s
Brent Gallery (Houston, TX),, 1990s
File — Box: 5, Folder: 25
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Canfield Gallery (Santa Fe, NM),, 1980s-1990s
File — Box: 5, Folder: 26
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1980s-1990s
Carlsbad Museum and Art Center (New Mexico),, 1990s
File — Box: 5, Folder: 27
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Canyon Road Art Gallery (Santa Fe, NM),, 1960s-1970s
File — Box: 5, Folder: 28
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1960s-1970s
Carlson-Lowe Galleries (Taos, NM),, 1970s
File — Box: 5, Folder: 29
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1970s
Carlyl Gallery (Denver, CO),, undated
File — Box: 5, Folder: 30
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
undated
Caroline Lee Gallery (Taos, NM),, 1990s
File — Box: 5, Folder: 31
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Charles T. Whitehouse (Denver, CO),, 1990s
File — Box: 5, Folder: 32
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Church Architectural Conference (New York City, NY,), undated
File — Box: 5, Folder: 33
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
undated
Cline Fine Art Gallery (Santa Fe, NM),, 1990s
File — Box: 5, Folder: 34-35
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1990s
Colombia Museum of Art (South Carolina),, 1950s-1960s
File — Box: 5, Folder: 36
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1950s-1960s
Contemporary Arts (New York City, NY),, 1950s
File — Box: 5, Folder: 37
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1950s
The Corcoran Gallery of Art (Washington, D.C.),, 1930s
File — Box: 5, Folder: 38
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1930s
Craft Cut (Santa Fe, NM),, 1970s
File — Box: 5, Folder: 39
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1970s
D. Wigmore Fine Art, Inc. (New York City, NY),, 1980s
File — Box: 5, Folder: 40
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1980s
Dallas Museum of Fine Arts (Texas),, 1960s
File — Box: 5, Folder: 41
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1960s
David Findlay Jr. Gallery (New York City, NY),, 2013-2014
File — Box: 5, Folder: 42
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
2013-2014
David Richard Contemporary (Santa Fe, NM),, 2010-2012
File — Box: 5, Folder: 43
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
2010-2012
David Stuart Galleries (Los Angeles, CA),, undated
File — Box: 5, Folder: 44
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
undated
Denver Art Museum (Colorado),, 1950s-1960s
File — Box: 5, Folder: 45
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1950s-1960s
Discovery Gallery, Inc. (Santa Fe, NM),, 1970s
File — Box: 5, Folder: 46
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1970s
Edward Cain Galleries (Aspen, CO),, undated
File — Box: 5, Folder: 47
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
undated
Edwin Friedman Restoration (Boulder, CO),, 1980s
File — Box: 5, Folder: 48
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1980s
El Paso Museum of Art (Texas),, 1970s
File — Box: 5, Folder: 49
Scope and Content
From the Collection:
The collection contains Beatrice Mandelman and Louis Ribak’s personal papers and correspondence; art appraisals and inventories, exhibits and galleries, and reviews of their shows and clippings; the Mandelman-Ribak Foundation’s Oral History Project; and several folders of documents contributed by Mary Fuller-McChesney and Phyllis Dorset. The Mandelman-Ribak Foundation’s folder descriptions determined, in large part, the categories used for series and subseries placement. The collection consists...
Dates:
1970s