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Box 13

 Container

Contains 51 Results:

N-S. 5), (8-53

 File — Box: 13, Folder: 26
Scope and Content From the Collection: The Tamarind collection is divided into two series: Administrative Files, and Research and Publications. These series are further divided into subseries. For the most part, the collection retains the basic organization created and used by Tamarind. We have done little re-filing, thus materials that were not filed correctly when the collection was given to us largely remain "mis-filed" or in miscellaneous subseries. Original Tamarind file numbers appear in parentheses, following folder...
Dates: (8-53

T-Z. 6), (8-53

 File — Box: 13, Folder: 27
Scope and Content From the Collection: The Tamarind collection is divided into two series: Administrative Files, and Research and Publications. These series are further divided into subseries. For the most part, the collection retains the basic organization created and used by Tamarind. We have done little re-filing, thus materials that were not filed correctly when the collection was given to us largely remain "mis-filed" or in miscellaneous subseries. Original Tamarind file numbers appear in parentheses, following folder...
Dates: (8-53

Collectors' Agreement, (9-537), 1961-1965.

 File — Box: 13, Folder: 28
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1961-1965.

Board of Directors Report - board meeting minutes, correspondence, list of sales, . (9-558), 1969

 File — Box: 13, Folder: 29
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1969

Amon Carter Museum - correspondence, (9-538), 1968-1972.

 File — Box: 13, Folder: 30
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1968-1972.

Amon Carter Museum - correspondence (9-539), 1966-1968.

 File — Box: 13, Folder: 31
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1966-1968.

Amon Carter Museum - correspondence, (9-540), 1963-1966.

 File — Box: 13, Folder: 32
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1963-1966.

Chicago Art Institute - correspondence, (9-542), 1963-1971.

 File — Box: 13, Folder: 33
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1963-1971.

Blankfort, Michael (recipient: L.A. County Museum of Art) - correspondence, (9-541), 1960-1965.

 File — Box: 13, Folder: 34
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1960-1965.

Freeman, Stanley (recipients: L.A. County Museum of Art and Pasadena Museum) - correspondence, invoices, clipping, (9-543), (9-544), 1967-1972.

 File — Box: 13, Folder: 35
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1967-1972.

Gleich, Martin A. (recipients: Long Beach Museum and La Jolla Museum of Art) - correspondence, (9-545), (9-546), 1961-1972.

 File — Box: 13, Folder: 36
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1961-1972.

Goldstein, George - correspondence, (9-547), 1966-1967.

 File — Box: 13, Folder: 37
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1966-1967.

Grunwald, Fred (recipient: Grunwald Graphic Arts Foundation) - correspondence, (9-548), 1961-1966.

 File — Box: 13, Folder: 38
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1961-1966.

Grunwald Graphic Arts Foundation - correspondence, (9-549), (9-550), 1962-1971.

 File — Box: 13, Folder: 39
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1962-1971.

Johnson, Mrs. J. Lee III (recipient: Amon Carter Museum) - correspondence, (9-551), 1963-1966.

 File — Box: 13, Folder: 40
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1963-1966.

Kleiner, Burt (recipient: Chicago Art Institute Museum of Modern Art) - correspondence, (9-552), (9-553), 1962-1972.

 File — Box: 13, Folder: 41
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1962-1972.

Libaw, J.E. (recipient: Grunwald Graphic Arts Foundation) - correspondence, . (9-554), 1965

 File — Box: 13, Folder: 42
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1965

Los Angeles County Museum of Art - correspondence, auction cataloges, notes, (9-555), (9-556), (9-557), 1964-1970.

 File — Box: 13, Folder: 43
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1964-1970.

Marmor, Judd - correspondence, (9-559), 1964-1970.

 File — Box: 13, Folder: 44
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1964-1970.

Museum of Modern Art - correspondence, invoices, (donors: Kleiner and Bell), (9-560), (9-561), 1962-1971.

 File — Box: 13, Folder: 45
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1962-1971.

Museum of Modern Art - Biennial Report Catalogue,(9-562), 1967-1969.

 File — Box: 13, Folder: 46
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1967-1969.

Museum of Modern Art - Homage to Lithography exhibition, correspondence, (9-563), (9-564), 1964-1972.

 File — Box: 13, Folder: 47
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1964-1972.

Museum of Modern Art - Homage to Lithography Exhibition, catalogue drafts, . (9-565-9-968), 1969

 File — Box: 13, Folder: 48
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1969

Pasadena Art Museum - correspondence, (9-569), 1965-1972.

 File — Box: 13, Folder: 49
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1965-1972.

Plone, Mr. and Mrs. Arthur (recipient: Grunwald Graphic Arts Foundation) - correspondence, (9-570), 1964-1967.

 File — Box: 13, Folder: 50
Scope and Contents From the Sub-Series: Every edition of lithographs included 9 Tamarind Impressions. The first seven sets were sold to collectors in six month subscriptions. The remaining two sets belong to the Tamarind Lithography Workshop. This category records the disposition of the 9 sets. For further information about sets 8 and 9, contact the Tamarind Institute.
Dates: 1964-1967.