University of Albuquerque Theatre Dept. Records
Collection
Identifier: MSS-508-BC
Scope and Content
The collection is comprised of theatre department files with added donations by faculty members Jim Morley, Kip Allen, and Justine (Sally) Tate Opel, and numerous alumni of the theatre program. Series I (boxes 1-7) consists of Performance and Production Materials: production files (boxes 1-3), scripts (box 4), playbills, posters, and programs (boxes 5-6), and materials related to technical theatre (box 7). Series II consists of Academic Materials: curriculum (box 8), and faculty materials of Jim Morley (box 9) and Kip Allen (box 10). Additions to the collection comprise Series III (boxes 11 and 12). Box 12 contains the original transcription and drafts of Jim Morley's oral history and the letters from Morley's colleagues, students, and friends that were published in WE DIDN'T KNOW IT WAS IMPOSSIBLE! A History of the University of Albuquerque Theatre Department.
**Production materials are cross-referenced (see also: sa) according to box-folder number (Box #-[Folder] #) and/or location in photoarchives (photo archives). For example: Box 1 Folder 3: After the Rain (1970). See also Box 6-1, photo archives.
**Production materials are cross-referenced (see also: sa) according to box-folder number (Box #-[Folder] #) and/or location in photoarchives (photo archives). For example: Box 1 Folder 3: After the Rain (1970). See also Box 6-1, photo archives.
Dates
- 1942-1991
Language of Materials
English
Access Restrictions
The collection is open for research.
Copy Restrictions
Limited duplication of CSWR material is allowed for research purposes. User is responsible for compliance with all copyright, privacy, and libel laws. Permission is required for publication or distribution.
Background Information
This latter period was one of numerous presidential resignations and hirings but one noted for the addition of the Fine Arts Learning Center to the West Mesa skyline and home to legendary theater in New Mexico.
Productions were first staged in the boiler room and later in the gymnasium at the College of St. Joseph. By 1958, after Morley's arrival, the theatre had evolved to a quonset-type building with a 40-foot front stage and a rear stage with an upper level suitable for classic drama. It was known as the "Tin Hut." With the building of the Fine Arts Learning Center in 1972, the Department moved into new facilities, a multipurpose structure with two auditorium areas, a drama theater, and a music-lecture hall.
The history of the University of Albuquerque can be compared to the history of a boom town: the sweet and secret discovery, the growth, the building, the mining, the overmining, and the consequent ghost town remains when the vein was spent or abandoned. Her history spans the years 1904, when she was known as the St. Francis Summer School for nuns to 1986, when we saw her as a cosmopolitan college (the University of Albuquerque) making every effort to stay above the flood waters of lost and found leadership and huge indebtedness. Her name-changes listed below are like strata of a mother lode:
- St. Francis Summer School, Pena Blanca, 1904-1921; (used as a mission school between Albuquerque and Santa Fe).
- St. Francis Summer College, Albuquerque, 1921-1946; affiliated with Catholic University of America, 1939; (used the St. Anthony Home for Boys on Indian School Road).
- Catholic Teachers College of New Mexico, Albuquerque, 1947-1949; (used the Lourdes Seminary, five miles south of Albuquerque on South Second Street).
- St. Joseph College, Albuquerque, 1949-1957; continued affiliation with Catholic University of America, 1956-1961. (new building on the West Mesa??)
- College of St. Joseph on the Rio Grande, Albuquerque, 1957-1966; (an era of building and growth to grounds and curricula).
- University of Albuquerque, 1966 to its dissolution in 1986 (an era of numerous presidential resignations and hirings but one noted for the addition of the Fine Arts Learning Center to the West Mesa skyline and home to legendary theater in New Mexico).
This sweet and secret discovery was exemplified by a dedicatory speech of the College of St. Joseph in 1952: "The basic commodity of education is truth....In these classrooms in their glorious setting of mountain and plain will come in years to be hundred(s) of young men and women eager for the unadulterated truth." And so she grew and built and mined "the truth" until she, in quiet agony in 1986, ended her search for it.
One very important part of the University of Albuquerque's history, conceived during her flowering and weathering the storms until her final closing, was the Theater Department under the direction of Jim Morley.
A large room in a heating plant, a stage, tiered platforms for folding chairs to rest on, dressing rooms, lighting and sound control panels...The now legendary Theater Department built its foundation on these, one school term in 1953. (1955?)
A quonset-type building, a 40-foot front stage, and rear stage with an upper level suitable for classic drama...So from humble "boiler room" beginnings did the theater evolve to this in 1958.
A multipurpose facility, two auditorium areas, a drama theater, and a music-lecture hall...14 years of "Tin Hut" theater was rewarded in 1972 with a building that is a landmark on the West Mesa.
Morley taught phonetics, voice and diction, directing, acting, theatre history, and film criticism, and directed U of A theater productions for almost 30 years, while serving as friend and mentor to countless students who studied theatre with him. He survived the adminstrative changes through the years, while his theatre progressed from its humble beginnings in the gymnasium to a tin quonset hut he built almost single-handedly, to the intimate Stage One in U of A's Fine Arts Center.
Morley's mission in theatre was to portray the measure and dignity of man. He chose as an emblem for this mission Leonardo da Vinci's famous illustration, "Human Figure in a Circle," which defines the proportions of a man with limbs outstretched to the edges of a circle. It greeted students and theatre goers on an outside wall of the Fine Arts Center and it appeared as part of a logo on the theatre stationery.
As a director, Morley courted controversy. He produced a play with what is recognized as Albuquerque's first nude scene, and he transformed Gertrude Stein's play, "Doctor Faustus Lights the Lights," into an original rock musical.
One of Morley's special loves in theatre was ritual and ceremony, and one of his directing trademarks was his Fellini-like ability to block action on stage so that, at any given moment, all movement was frozen, and the audience saw a still scene of impeccable composition.
Catholic sisters ran the U of A during most of Morley's tenure, and they gave him complete artistic freedom. "When I started out, my nuns told me all they required from and my plays was the truth, and that's what I gave them.
The University of Albuquerque Theater Collection reflects this sweet and secret discovery of truth in education. Future explorers of Camelots like the University of Albuquerque will agree with Shakespeare when he said, "The play's the thing!"
Extent
14 boxes (12.2 cu. ft.)
Separated Material
Photographs transfered to University of Albuquerque Theatre Department Photograph Collection
Relevant Secondary Sources
- "His Personality, Enthusiasm Fill U of A's Drama Dept.," Albuquerque Journal, October 18, 1981.
- "Master at the U of A," UNM Alumnus, Vol. 55, No. 6 (March 1983).
- "Morley Retiring After 27-Year Career," The Observer, December 5, 1984.
- Thom, Marsha. "The Play's His Thing." Albuquerque Living , December 1984.
General
**Items donated by Jim Morley (miscellaneous news articles and photographs) added to Box 9. Portfolio donated by Kip Allen comprises Box 10.
Chronological Listing of Plays Produced at the College of St. Joseph/University of Albuquerque.
DATE | PLAY |
---|---|
1953 | Everyman |
1953 | The Flowering Staff |
1954 | The Girl in the Rain |
A Quartet of Plays: | |
A Proud Sorrow | |
Riders to the Sea | |
Rising of the Moon | |
Spreading the News | |
1955 | Dr. Jekyll and Mr. Hyde |
1957 | Thieves Carnival |
1958 | The Glass Menagerie |
The Juggler (Christmas I) (new script) | |
1959 | The Boyfriend |
The Cave Dwellers | |
1960 | Don Juan in Hell |
The Glorious Adventures of Don Quixote | |
1961 | Euripides' Medea |
The Maids | |
Noah | |
1962 | Dinny and the Witches |
Don Juan in Hell | |
The Little Foxes | |
1963 | Ladies in Retirement |
One Act #l (A Bill of One Acts): Sorry, Wrong Number, The Finger of God, The Turn of the Century | |
One Act #2: Hello, Out There, The Sandbox, The Red Velvet Coat | |
One Act #4 (Three Facets of the Theatre): The Long Goodbye, Aria da Capo, The Conquest of Everest | |
Rhinoceros | |
1964 | The Lark |
The Tempest | |
Under Milk Wood | |
1965 | I Remember Mama |
John Brown's Body | |
The Skin of Our Teeth | |
Thor, With Angels | |
1966 | J.B. |
Little Women | |
Waiting for Godot | |
Wheelwright | |
1967 | A Liturgical Happening (new script) |
Mr. Pim Passes By | |
Spoon River Anthology | |
The World of Carl Sandburg | |
1968 | The Collected Works of Claudia (new script) |
Marat/Sade | |
1969 | Henry IV |
The House of Bernarda Alba | |
M X 3: Noah's Floode, Everyman, Second Shepherd's Play | |
No Exit | |
The Rimers of Eldritch | |
The Royal Hunt of the Sun | |
1970 | After the Rain |
Collision Course | |
Lysistrata | |
1971 | Fire |
Indians | |
Rosencrantz and Guidenstern Are Dead | |
U.S.A. | |
1972 | The Bald Soprano |
The Laundry | |
Macbeth | |
Yerma | |
1973 | Aaron Slick From Punkin Crick (summer stock) |
The Cherry Orchard | |
The Curious Savage (summer stock) | |
Dark of the Moon | |
Day of Resurrection (summer stock) | |
The Insect Comedy | |
The Effect of Gamma Rays on Man-in-the-Moon Marigolds | |
Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad (summer stock) | |
1974 | The Cube and Rose Parade (puppet entertainment for adults) |
The Fantastiks | |
The Innocents | |
Little Murders | |
The Serpent | |
Tiny Alice | |
Our Town | |
1975 | The Bacchae |
Black Comedy | |
Shelley, or The Idealist | |
Story Theater | |
1976 | Dr. Faustus Lights the Lights (musical) |
The Good Doctor | |
Home | |
Two Evenings of Strindberg | |
1977 | The Emperor Jones |
Equus | |
Puppet Theatre | |
L'Histoire du Soldat | |
Peter and the Wolf | |
Seascape | |
1978 | Brother to Dragons, Companion to Owls (new script) |
Day of Resurrection (new script) | |
Der Mond (opera with puppets) | |
Sweeney Todd the Barber | |
1979 | Anna K. |
Elizabeth I | |
Joe Egg Ladies in Retirement | |
Memoir | |
Oedipus Rex (puppet and readers' theatre) | |
The Puppet Experiment | |
Revelations | |
Three In One (student productions): Rats, A Game, Theater of the Soul | |
1980 | A Child's Christmas in Wales |
The Threepenny Opera (musical) | |
White Deer | |
Wings | |
1981 | Cradle Song |
Elephant Man | |
Ex Miss Copper Queen On a Set of Pills (student production) | |
For Colored Girls... | |
Josephine: The Mouse Singer | |
Line (student production) | |
Mirage | |
Moby Dick Rehearsed | |
Motley Tales | |
Reflections | |
The Sausage Maker's Interlude (student production) | |
Time is a Thief (student production) | |
1982 | Antigone |
Scapino | |
Vanities | |
1983 | The Alligator Man |
Beckett X 3: Act Without Words I, Act Without Words II, End Game | |
The Dumbwaiter | |
Eternities | |
Hello Out There | |
Infancy (student production) | |
Life in Theatre | |
The Northern Cross (student production) | |
Strider | |
1984 | Beyond Therapy |
Boot Hill Rosaries | |
El Grande de Coca Cola | |
Gorey Stories | |
1985 | Best Friend |
People Are Living There | |
You're A Good Man, Charlie Brown |
SUMMER STOCK
Adobe Theatre - Corrales, New Mexico, 1962-1965
- Of Mice and Men
- The Lady's Not for Burning
- Man in the Dog Suit
- Blood Wedding
- Ghost Sonata
- Thurber Carnivalaa,
- Lion in Winter
Kaleidoscope Players - Raton, New Mexico, 1968-1972
- You're a Good Man, Charlie Brown (musical)
- Indians
- I Do, I Do (musical)
- The Impossible Years
- Thieves Carnival
- The Fantasticks (musical)
- Madrid Players
University of Albuquerque - Albuquerque, New Mexico-1973
- Aaron Slick from Punkin' Crick
- Curious Savage
- Oh Dad, Poor Dad...
- Day of Resurrection
Adobe Theatre - Corrales, New Mexico, 1980-1983
- Of Mice and Men, 1980
- Seamarks, 1983
- Title
- Finding Aid of the University of Albuquerque Theatre Dept. Records, 1942-1991
- Status
- Completed
- Author
- Processed by Staff
- Date
- ©2000
- Description rules
- Describing Archives: A Content Standard
- Language of description
- English
- Script of description
- Latin
- Language of description note
- Finding aid is in English
Revision Statements
- June 28, 2004: PUBLIC "-//University of New Mexico::Center for Southwest Research//TEXT (US::NmU::MSS 508 BC::University of Albuquerque Theatre Dept. Records)//EN" "nmu1mss508bc.sgml" converted from EAD 1.0 to 2002 by v1to02.xsl (sy2003-10-15).
- Monday, 20210524: Attribute normal is missing or blank.
Repository Details
Part of the UNM Center for Southwest Research & Special Collections Repository
Contact:
University of New Mexico Center for Southwest Research & Special Collections
University Libraries, MSC05 3020
1 University of New Mexico
Albuquerque NM 87131
505-277-6451
University of New Mexico Center for Southwest Research & Special Collections
University Libraries, MSC05 3020
1 University of New Mexico
Albuquerque NM 87131
505-277-6451