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Series 17: Tamarind Book of Lithography; Photographic prints, 8 x 10 inches and 3 x 5 inches

 Series — Box: 19, Folder: 116 - 130
Identifier: 000-574-3644 - 000-574-3862

Scope and Contents

Tamarind Book of Lithography (Photographic Prints 8x10" and 3x5")
Box/Folder Activity CSWR Acc.# final 4 digits
19/116 Materials used for Graining the Stone 3644
19/116 Sprinkling Abrasive on the Stone 3645
19/116 Grinding with Two Small Stones 3646
19/116 Grinding the Stone 3647
19/116 Removing the Residue of Graining with Water 3648
19/116 Large Stone Being Grained with the Levigator 3649
19/116 Beveling the Edge of a Stone with a Rasp 3650
19/116 Polishing the Edges with a Pumice Block 3651
19/116 Grinding a Large Stone with a Smaller Stone 3652
19/116 Testing the Level of Stone 3653
19/116 Masking Stone with Gum Arabic 3654
19/116 Workshop Procedure 3655
19/116 Workshop Procedure 3656
19/116 Materials for Drawing a Lithograph 3657
19/116 “Venus" by Chasseriau 3658
19/116 “Venus" detail 3659
19/116 Mixing Tusche 3660
19/116 Mixing Tusche 3661
19/116 Tusche Scumble 3662
19/116 Tusche Scumble 3663
19/116 “The Thames" by Whistler 3664
19/116 “Druidesse" by Redon 3665
19/116 “Druidesse" detail 3666
19/117 Materials for Etching the Stone 3667
19/117 Materials for What Out and Roll Up 3668
19/117 Mixing the Etch Solution 3669
19/117 Stirring the Etch Solution 3670
19/117 Applying Talc 3671
19/117 Distributing Talc Over the Image 3672
19/117 Applying the Gum Arabic 3673
19/117 Completed Drawing Prior to Processing 3674
19/117 Distributing the Etch Solution 3675
19/117 Smoothing the Etch Film 3676
19/118 Materials for Proofing 3677
19/118 Applying Lithotine Solvent 3678
19/118 Washing out the Image 3679
19/118 Cleaning Stone with the Image Washed Out 3680
19/118 Applying Asphaltum 3681
19/118 Distributing Asphaltum 3682
19/118 Fanning the Asphaltum Dry 3683
19/118 Removing the Etch Film 3684
19/118 Inking the Image 3685
19/118 Dampening the Stone 3686
19/118 Changing the Direction of the Inking 3687
19/118 Dampening the Stone Again 3688
19/118 Measuring the Image Prior to Applying Lay Marks 3689
19/118 The Artist Applies the Counter-etch 3690
19/118 The Counter-etch is Mopped with a Sponge and Water 3691
19/118 Stone Being Fanned Dry 3692
19 /118 Stone Ready to Receive Additional Drawing 3693
19 /118 Completing Figure with Brush and Paste Tusche 3694
19/118 Additional Details are Added with a Lithographic Pencil 3695
19/118 Dusted with Rosin and Talc 3696
19/118 Applying Gum Arabic 3697
19/118 Protective Pools of Gum Arabic 3698
19 /118 Moderate-Strength Etch is Brushed Over the Image 3699
19/118 Strong Etch applied locally over the Heaviest Areas 3700
19/118 Etching Solutions are Wiped Dry 3701
19/118 Completed Drawing Ready for proofing 3702
19/118 Asphaltum is Applied after Washing Out the Image 3703
19/118 Asphaltum Film is Fanned Dry 3704
19/118 Etch Coating and Excess Asphaltum are Removed 3705
19/118 Image is Rolled Up in Ink 3706
19/118 Margins are Cleaned by Honing 3707
19/118 Unwanted Areas of the Drawing are Removed by honing 3708
19/118 Deleted Areas are Spot Etched 3709
19/118 Removing the Proof from the Stone 3710
19/118 Completed print 3711
19/119 Comparing impressions with the Bon a Tirer 3712
19/119 Signing and Numbering the Edition 3713
19/119 Cancelling the Stone 3714
19/119 Pulling the Cancellation Proof 3715
19/119 Chopping the Impression 3716
19/119 Interleaving with Tissue 3717
19/120 Untitled by Dick Wray 3718
19/120 “Dove" by Pablo Picasso 3719
19/120 “David and Bathsheba" by Pablo Picasso 3720
19/120 “David and Bathsheba" by Pablo Picasso 3721
19/120 “Tenth Memory" by June Wayne 3722
19/121 Registering a large Sheet of paper 3723
19/121 Aligning the pin to the Registration mark 3724
19/121 Pulling out the Slip Sheet 3725
19/121 Register pins 3726
19/122 Positioning the Proof Paper 3727
19/122 Inking the image in preparation for Proofing 3728
19/122 Drying the Etch 3729
19/122 Applying the Etch 3730
19/122 Mixing the Second Etch 3731
19/122 Dusting the Image with Rosin 3732
19/122 Cleaning the Margins with a Hone 3733
19/122 Changing the Direction of the Inking Pattern 3734
19/122 Rolling up the Image with Ink 3735
19/122 Removing the Gum Film 3736
19/122 Fanning the Asphaltum Film Dry 3737
19/122 Distributing the Asphaltum Film Evenly 3738
19/122 Applying Asphaltum Printing Base 3739
19/122 Applying Lithotine to Wash out the Image 3740
19/122 Wiping Dry the Gum Film 3741
19/122 Applying gum Arabic 3742
19/122 Dusting the Stone with Talc 3743
19/122 Removing the Transfer paper 3744
19/122 Dampening the Back of the Transfer Drawing 3745
19/122 The Press in Operation 3746
19/122 Positioning the Tympan Sheet 3747
19/122 Positioning the Backing Sheets 3748
19/122 Positioning the Transfer Drawing on the Damp Stone 3749
19/122 Dampening the Stone 3750
19/123 Marine Fossils in Stone 3751
19/123 Iron Pyrites in Stone 3752
19/123 Micro-Photo 3753
19/124 The Hand Levigator 3754
19/124 Storage Rack for hand Levigator 3755
19/124 Power Grinder 3756
19/124 Power Grinder in Use 3757
19/124 Electric Power Levigator 3758
19/124 Electric Power Levigator 3759
19/124 Workshop procedure 3760
19/124 Hydraulic Lift Truck 3761
19/125 The Materials of ink Mixing 3762
19/126 Removing Paper from a package 3763
19/126 Ripping paper Against a Straightedge 3764
19/126 Dampening Paper Against a Straightedge 3765
19/127 The French press 3766
19/127 Preparing to Engage the Scraper 3767
19/127 Engaging the Scraper 3768
19/127 Engaging and locking the Scraper 3769
19/127 Disengaging the Scraper 3770
19/127 The Press 3771
19/127 The Griffin Press 3772
19/127 The Antreasian Hydraulic Press 3773
19/127 Control Panel 3774
19/127 Gemini Press 3775
19/127 Press Box 3776
19/127 Press with Pressure Lever Engaged 3777
19/127 Press with Pressure Lever Disengaged 3778
19/127 Stretching and Nailing the Leather on a Scraper 3779
19/127 Scraper Bars 3780
19/127 Centering and Locking the Scraper Bar 3781
19/127 Aligning the Stone and Scraper 3782
19/127 Positioning the Tape 3783
19/127 Positioning the Tympan 3784
19/127 Adjusting the Pressure Screw 3785
19/127 Applying Pressure 3786
19/127 Cleaning the Press 3787
19/128 Materials for Conditioning the Leather Roller 3788
19/128 Scraping the Roller 3789
19/128 Position of the Hands and Wrists at the Beginning of a Roll 3790
19/128 Position of hands and Wrists at the Beginning of a Roll 3791
19/128 Charging the Roller with Ink 3792
19/128 Rolling Pattern, End to End 3793
19/128 Rolling Pattern, Top to Bottom 3794
19/128 Large Diameter Roller 3795
19/129 Layout of Materials 3796
19/129 Masking the Margins 3797
19/129 Applying Asphaltum 3798
19/129 Rolling up the Solid with Ink 3799
19/129 Washing out the Image with Lithotine 3800
19/129 Applying a Thin Film of Triple Ink 3801
19/129 Biting the Image with a Weak Acid Etch 3802
19/129 Removal of Ground by Acid Biting 3803
19/129 Arresting the Biting Action 3804
19/129 Blotting with the Water Sponge 3805
19/129 Completed Drawing After Acid Biting 3806
19/129 Cleaning the Rub Up with Gum Sponge 3807
19/129 Washing Out the Image with Lithotine 3808
19/129 Cleaning the Margins with a Knife 3809
19/129 Etching the Image 3810
19/129 Wiping the Etch Dry 3811
19/129 Printed Impression of the Completed Work 3812
19/129 Detail of Printed Impression 3813
19/129 Materials Used for Rubbing up the image 3814
19/129 Dusting with Talc 3815
19/129 Removing Excess Talc 3816
19/129 Mixing the first Etch 3817
19/129 Applying the First Etch 3818
19/129 Wiping Dry the First Etch 3819
19/129 Washing out the Image with Lithotin 3820
19/129 Layout of the Equipment Prior to Rub Up 3821
19/129 Applying the Rub Up Ink 3822
19/129 Cleaning the Image with the Gum Sponge 3823
19/129 Re-applying the Rub up Ink 3824
19/129 Cleaning the Image with the Gum Sponge 3825
19/129 Fanning the Stone 3826
19/129 Applying the Second Etch 3827
19/129 Drying the Second Etch 3828
19/129 Washing out the Image 3829
19/129 Rolling up the Image Firmly 3830
19/129 Changing the Rolling Pattern 3831
19/129 Cleaning the Margins with a Hone 3832
19/129 printed Impression of the Stone 3833
19/129 Details showing the qualities of Tusche Washes 3834
19/129 Applying Talc to the Freshly inked Image 3835
19/129 Counteretching the Stone 3836
19/129 Removing the Counteretch with Water 3837
19/129 Masking the Borders with Vaseline 3838
19/129 Pouring Shellac over the inclined Stone 3839
19/129 Washing out the Positive Image with Lithotine 3840
19/129 Rolling Ink on the Shellac Film 3841
19/129 Etching the Margins of the Image 3842
19/129 Removing a Proof 3843
19/129 Removing an Impression of the Combined Positive and Negative Images 3844
19/129 The Positive Image 3845
19/129 The Negative Image 3846
19/129 Moistening Blotters in the Damp Box 3847
19/129 Dampening a Sheet of Fine Paper 3848
19/129 Placing Paper in the Damp Box 3849
19/129 Weighting the Damp Box with A Stone 3850
19/129 Positioning Paper 3851
19/129 Positioning the Damp Supporting Sheet 3852
19/129 Removing the Printed Impression 3853
19/129 The Completed Print 3854
19/130 The Collector’s Press Workshop 3855
19/130 Gemini Workshop 3856
19/130 Vertical Stone Rack 3857
19/130 Horizontal Stone Rack 3858
19/130 The Graining Station 3859
19/130 The Processing Station 3860
19/130 Ink and Roller Cabinet 3861
19/130 Wiping Dry the Etched Plate 3862

Dates

  • 1959-1997

Access Restrictions

The collection is open for research.

Extent

From the Collection: 4989 items (24 boxes) : 3890 photographic prints, 929 color slides, 170 color transparencies, microfilm), 1 unprocessed box

Language of Materials

From the Collection: English

Physical Storage Information

Repository Details

Repository Details

Part of the UNM Center for Southwest Research & Special Collections Repository

https://library.unm.edu/cswr/index.php
Contact:
University of New Mexico Center for Southwest Research & Special Collections
University Libraries, MSC05 3020
1 University of New Mexico
Albuquerque NM 87131
505-277-6451

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