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RINI TEMPLETON (13.), JUNE 27, 1986

 File — Box: 161, Folder: 3

Scope and Content

From the Collection: John Nichols' papers document a wide range of history and culture and personal connections in New Mexico (and elsewhere) over the last 55 years. This all-inclusive collection contains almost every draft of every manuscript Nichols has written, and every piece of correspondence that he has sent and received since the late 1950s. The collection not only documents the creation and evolution of his literary works, but precisely documents the literary process. His correspondence, speeches, and artwork chronicle contemporary political and social issues and shed light not only on John Nichols, but also illuminate the perspectives of a large array of contemporary literary, political, and everyday figures and issues in New Mexico and around the globe.

Activities, 1970-2008: These files include speeches, political organizing, trips, magazine articles, and many other projects and activities undertaken by Nichols.

Articles, 1969-2007: Contain various newspaper and magazine articles about John Nichols and his books.

Artwork, 1969-2004: Sketchbooks, drawings and cartoons by John Nichols. Significant works including a complete set of pen and ink calavera drawings, artists proofs, and etchings of calaveras done to illustrate The Magic Journey; published and unpublished political cartoons, mostly done during the 1970s for Albuquerque's alternative newspaper, Seer's Catalogue, and illustrations and cartoons done for Hamilton College's track & field newsletter The Good Scout.

Book Reviews, 1965-2007: Published reviews of John Nichols' books.

Book/Film Contracts, 1964-2012: Xerox copies of some of the main contracts Nichols has signed for book publishing, film options, and screen-writing assignments. With a few magazine and journal and audio recording pufferies thrown in.

Book/Movie/Agent Correspondence, 1963-2007: This consists of files of correspondence between Nichols and agents, editors, publishers, producers, directors, production people, and others involved with his professional life of writing books and screenplays.

Correspondence 1950s-1960s, 1950-2012: This series contains letters from Nichols' teenage years, while at Hamilton College, and then living in New York City until 1969. Later correspondence is often included, the criteria being that the letter exchanges began in the 1950s or 1960s.

Envelope Diaries, 1998-2002: Envelope diaries and field observations played a huge role in creating Nichols' literature. He kept a record of hikes on the backs of envelopes and carefully typed up these transcripts afterwards. Once he began carrying a little tape recorder that was the end of the envelope diary field notes.

Eulogies, 1980-2007: Written by John Nichols for some of his departed friends.

Fan Letters, 1969-2011: Consist mainly of letters to Nichols, mostly from strangers, commenting on his books or other projects, and of carbons of some of his typed replies to these letters from strangers.

General Correspondence, 1970-2012

Jouranl/Diary Ephemera, 1955-1966: Ephemera connected to Nichols' life between age 15-26, during prep school and college and a few years after college.

Journal/Diary Files, 1956-2007: Nichols has kept journals off and on since age fifteen.

Manuscripts, 1957-2012: This series contains nearly every draft of every title that John Nichols wrote between 1957 and 2012. Notable titles include "The Sterile Cuckoo" and the New Mexico Trilogy: "The Milagro Beanfield War," "The Magic Journey," and "The Nirvana Blues."

Memorabilia, 1968-1997: Hermes Rocket typewriter used to type Milagro, and Olympia typewriter used to type manuscripts from 1974 until 1997, when Nichols finally began using the computer.

Miscellaneous Carbons, 1964-2009: These are carbon copies of business and personal letters, typed by Nichols and not matched up with correspondence files elsewhere.

Novel Notes, 1961-2006: Notes that Nichols scribbled in notebooks and on the backs of envelopes. He often wrote dozens of variations on a theme in notebooks trying to get a handle, find a starting point.

Phone Messages, 1987-2007

Photographs, 1955-2013: This is a cross-section of photographs of Nichols, his family and friends, lots of photographs related to publicity for his books, or hiking mesas and climbing mountains.

Photography Workshops in Taos, 1988-1998: Nichols' friend sponsored the Owens Valley Photography Workshops (begun in 1975) for many years. The workshops catered to serious, and usually large-format, photographers in the mold of Ansel Adams and others of his ilk. Nichols guest lectured at the workshop for 10 summers, beginning in 1988.

Pocket Notebooks, 1980-2010: Things to do, lists, notes for novels, field notes when hiking, random thoughts, and so forth.

Publications, 1959-2007: Magazines and newspapers containing articles by or about Nichols. This includes prep school and college literary magazines, the Hamilton Spectator and New Mexico Review.

Request Letters, 1970-2012: Mostly letters from people asking John Nichols to "do stuff," like read their books, blurb their books, find them a publisher, come and speak to their class, do a workshop, contribute books for their benefit auction, etc.

Royalty Statements,1965-2011

Screenplays, 1965-2004: Includes screenplays, drafts, and edited drafts of screenplays written by Nichols, or written by others as adaptations of Nichols' works. Notable titles include "Missing" and "The Milagro Beanfield War."

Slides, 1960-2000: Most of the slides were taken between 1973 and 1995, primarily in and around Nichols' Taos home, in Taos proper, or around the immediate Taos valley and western mesas, or on some of the small streams southeast of Taos or in the mountains of Taos County.

Videos 1984-2013: This is a collection of videos include interviews or documentariesJohn Nichols has done I've done or documentaries I've done, or have been included in.

Dates

  • JUNE 27, 1986

Language of Materials

From the Collection: English

Access Restrictions

The collection is open for research, however, researchers must sign consent form prior to gaining access to materials. Calavera drawings, proofs, and etchings as well as "little diaries" (Boxes 14, 125, 126, 129, 142) are housed in high security and may require up to 24 hours for retrieval. Enlarged photocopies and typed transcriptions of "little diaries" in Box 142 are located in Box 184.

Extent

From the Collection: 184 boxes (172 cu. ft.)

General

This folder contains copies of most of the materials I have in my Eulogy Files regarding Rini's June 27 (or 26th?) memorial in Pilar and the subsequent efforts of Betita Martínez to put together a book about Rini's life and work. The book about Rini was published in 1989 by Real Comet Press in Seattle. It is called The Art of Rini Templeton. I did a forward for it. The following description of the contents of this folder is taken from the inventory of my Eulogy Files:"Rini Templeton was a revolutionary artist whose graphic works are still used around the world in progressive publications. She died at 51 in Mexico City on June 15, 1986. She had a cabin on Pilar Hill, south of Taos. Rini contributed drawings to the New Mexico Review during the early 1970s when I wrote for it. She and I put out the last three NMR issues in 1972. Rini worked with Betita Martínez on El Grito del Norte in Española. She was active with the Taller Grafico in Tierra Amarilla, and spent much time in Mexico with activist groups there. Rini illustrated my novel, The Milagro Beanfield War. The UNM Center for SW Research has the original drawing Rini did for the Milagro cover. Milagro is partially dedicated to her. I published an essay about Rini called "To Be of Use" in Dancing on the Stones, published by UNM Press in 2000."Rini's Taos memorial was held in Pilar on June 27, 1986. I cleaned out Rini's house after she died, safe-keeping her artwork until it went to family or museums. This folder includes: "1.) Announcement of her death in Mexico in La Jornada, June 20, 1986. 2.) 3 Primero de Mayo flyers drawn by Rini passed out at her Pilar, NM memorial, June 27, 1986. 3.) 2 Inti Raymi flyers for Rini's memorial in Albuquerque June 28, 1986. 4.) 5 letters from Betita Martínez related to planning a book about Rini. 5.) 2 copies of a plan for this book about Rini and her work. 6.) My 9-page first draft of a Feb. 1987 forward to book about Rini, drawing on words I spoke at her Pilar memorial the previous June. Many hand corrections. 7.) A 1988 flyer from Ganados del Valle in Tierra Amarilla selling cards designed by Rini to raise money for Ganados. 8.) Article in Spanish newspaper about Rini's life and death. Paper unidentified and undated. 9.) 4-page flyer for RINI, PRESENTE! a program about her life and work in San Francisco, Oct. 28, 2006. (Pages in this file are numbered 1-36 at the bottom of each page.) (See DESCRIPTION OF THE JUNE 27, 1986 PILAR MEMORIAL FOR RINI IN MY JOURNAL/DIARIES ARCHIVES under "MILAGRO" FILM JOURNAL, 1986.)"

Repository Details

Part of the UNM Center for Southwest Research & Special Collections Repository

Contact:
University of New Mexico Center for Southwest Research & Special Collections
University Libraries, MSC05 3020
1 University of New Mexico
Albuquerque NM 87131
505-277-6451