THE FOOL'S CRUSADE (THE GLASS MOUNTAIN), 1993
Series — Box: 49, Folder: 9
Scope and Content
From the Collection:
John Nichols' papers document a wide range of history and culture and personal connections in New Mexico (and elsewhere) over the last 55 years. This all-inclusive collection contains almost every draft of every manuscript Nichols has written, and every piece of correspondence that he has sent and received since the late 1950s. The collection not only documents the creation and evolution of his literary works, but precisely documents the literary process. His correspondence, speeches, and artwork chronicle contemporary political and social issues and shed light not only on John Nichols, but also illuminate the perspectives of a large array of contemporary literary, political, and everyday figures and issues in New Mexico and around the globe.
Activities, 1970-2008: These files include speeches, political organizing, trips, magazine articles, and many other projects and activities undertaken by Nichols.
Articles, 1969-2007: Contain various newspaper and magazine articles about John Nichols and his books.
Artwork, 1969-2004: Sketchbooks, drawings and cartoons by John Nichols. Significant works including a complete set of pen and ink calavera drawings, artists proofs, and etchings of calaveras done to illustrate The Magic Journey; published and unpublished political cartoons, mostly done during the 1970s for Albuquerque's alternative newspaper, Seer's Catalogue, and illustrations and cartoons done for Hamilton College's track & field newsletter The Good Scout.
Book Reviews, 1965-2007: Published reviews of John Nichols' books.
Book/Film Contracts, 1964-2012: Xerox copies of some of the main contracts Nichols has signed for book publishing, film options, and screen-writing assignments. With a few magazine and journal and audio recording pufferies thrown in.
Book/Movie/Agent Correspondence, 1963-2007: This consists of files of correspondence between Nichols and agents, editors, publishers, producers, directors, production people, and others involved with his professional life of writing books and screenplays.
Correspondence 1950s-1960s, 1950-2012: This series contains letters from Nichols' teenage years, while at Hamilton College, and then living in New York City until 1969. Later correspondence is often included, the criteria being that the letter exchanges began in the 1950s or 1960s.
Envelope Diaries, 1998-2002: Envelope diaries and field observations played a huge role in creating Nichols' literature. He kept a record of hikes on the backs of envelopes and carefully typed up these transcripts afterwards. Once he began carrying a little tape recorder that was the end of the envelope diary field notes.
Eulogies, 1980-2007: Written by John Nichols for some of his departed friends.
Fan Letters, 1969-2011: Consist mainly of letters to Nichols, mostly from strangers, commenting on his books or other projects, and of carbons of some of his typed replies to these letters from strangers.
General Correspondence, 1970-2012
Jouranl/Diary Ephemera, 1955-1966: Ephemera connected to Nichols' life between age 15-26, during prep school and college and a few years after college.
Journal/Diary Files, 1956-2007: Nichols has kept journals off and on since age fifteen.
Manuscripts, 1957-2012: This series contains nearly every draft of every title that John Nichols wrote between 1957 and 2012. Notable titles include "The Sterile Cuckoo" and the New Mexico Trilogy: "The Milagro Beanfield War," "The Magic Journey," and "The Nirvana Blues."
Memorabilia, 1968-1997: Hermes Rocket typewriter used to type Milagro, and Olympia typewriter used to type manuscripts from 1974 until 1997, when Nichols finally began using the computer.
Miscellaneous Carbons, 1964-2009: These are carbon copies of business and personal letters, typed by Nichols and not matched up with correspondence files elsewhere.
Novel Notes, 1961-2006: Notes that Nichols scribbled in notebooks and on the backs of envelopes. He often wrote dozens of variations on a theme in notebooks trying to get a handle, find a starting point.
Phone Messages, 1987-2007
Photographs, 1955-2013: This is a cross-section of photographs of Nichols, his family and friends, lots of photographs related to publicity for his books, or hiking mesas and climbing mountains.
Photography Workshops in Taos, 1988-1998: Nichols' friend sponsored the Owens Valley Photography Workshops (begun in 1975) for many years. The workshops catered to serious, and usually large-format, photographers in the mold of Ansel Adams and others of his ilk. Nichols guest lectured at the workshop for 10 summers, beginning in 1988.
Pocket Notebooks, 1980-2010: Things to do, lists, notes for novels, field notes when hiking, random thoughts, and so forth.
Publications, 1959-2007: Magazines and newspapers containing articles by or about Nichols. This includes prep school and college literary magazines, the Hamilton Spectator and New Mexico Review.
Request Letters, 1970-2012: Mostly letters from people asking John Nichols to "do stuff," like read their books, blurb their books, find them a publisher, come and speak to their class, do a workshop, contribute books for their benefit auction, etc.
Royalty Statements,1965-2011
Screenplays, 1965-2004: Includes screenplays, drafts, and edited drafts of screenplays written by Nichols, or written by others as adaptations of Nichols' works. Notable titles include "Missing" and "The Milagro Beanfield War."
Slides, 1960-2000: Most of the slides were taken between 1973 and 1995, primarily in and around Nichols' Taos home, in Taos proper, or around the immediate Taos valley and western mesas, or on some of the small streams southeast of Taos or in the mountains of Taos County.
Videos 1984-2013: This is a collection of videos include interviews or documentariesJohn Nichols has done I've done or documentaries I've done, or have been included in.
Activities, 1970-2008: These files include speeches, political organizing, trips, magazine articles, and many other projects and activities undertaken by Nichols.
Articles, 1969-2007: Contain various newspaper and magazine articles about John Nichols and his books.
Artwork, 1969-2004: Sketchbooks, drawings and cartoons by John Nichols. Significant works including a complete set of pen and ink calavera drawings, artists proofs, and etchings of calaveras done to illustrate The Magic Journey; published and unpublished political cartoons, mostly done during the 1970s for Albuquerque's alternative newspaper, Seer's Catalogue, and illustrations and cartoons done for Hamilton College's track & field newsletter The Good Scout.
Book Reviews, 1965-2007: Published reviews of John Nichols' books.
Book/Film Contracts, 1964-2012: Xerox copies of some of the main contracts Nichols has signed for book publishing, film options, and screen-writing assignments. With a few magazine and journal and audio recording pufferies thrown in.
Book/Movie/Agent Correspondence, 1963-2007: This consists of files of correspondence between Nichols and agents, editors, publishers, producers, directors, production people, and others involved with his professional life of writing books and screenplays.
Correspondence 1950s-1960s, 1950-2012: This series contains letters from Nichols' teenage years, while at Hamilton College, and then living in New York City until 1969. Later correspondence is often included, the criteria being that the letter exchanges began in the 1950s or 1960s.
Envelope Diaries, 1998-2002: Envelope diaries and field observations played a huge role in creating Nichols' literature. He kept a record of hikes on the backs of envelopes and carefully typed up these transcripts afterwards. Once he began carrying a little tape recorder that was the end of the envelope diary field notes.
Eulogies, 1980-2007: Written by John Nichols for some of his departed friends.
Fan Letters, 1969-2011: Consist mainly of letters to Nichols, mostly from strangers, commenting on his books or other projects, and of carbons of some of his typed replies to these letters from strangers.
General Correspondence, 1970-2012
Jouranl/Diary Ephemera, 1955-1966: Ephemera connected to Nichols' life between age 15-26, during prep school and college and a few years after college.
Journal/Diary Files, 1956-2007: Nichols has kept journals off and on since age fifteen.
Manuscripts, 1957-2012: This series contains nearly every draft of every title that John Nichols wrote between 1957 and 2012. Notable titles include "The Sterile Cuckoo" and the New Mexico Trilogy: "The Milagro Beanfield War," "The Magic Journey," and "The Nirvana Blues."
Memorabilia, 1968-1997: Hermes Rocket typewriter used to type Milagro, and Olympia typewriter used to type manuscripts from 1974 until 1997, when Nichols finally began using the computer.
Miscellaneous Carbons, 1964-2009: These are carbon copies of business and personal letters, typed by Nichols and not matched up with correspondence files elsewhere.
Novel Notes, 1961-2006: Notes that Nichols scribbled in notebooks and on the backs of envelopes. He often wrote dozens of variations on a theme in notebooks trying to get a handle, find a starting point.
Phone Messages, 1987-2007
Photographs, 1955-2013: This is a cross-section of photographs of Nichols, his family and friends, lots of photographs related to publicity for his books, or hiking mesas and climbing mountains.
Photography Workshops in Taos, 1988-1998: Nichols' friend sponsored the Owens Valley Photography Workshops (begun in 1975) for many years. The workshops catered to serious, and usually large-format, photographers in the mold of Ansel Adams and others of his ilk. Nichols guest lectured at the workshop for 10 summers, beginning in 1988.
Pocket Notebooks, 1980-2010: Things to do, lists, notes for novels, field notes when hiking, random thoughts, and so forth.
Publications, 1959-2007: Magazines and newspapers containing articles by or about Nichols. This includes prep school and college literary magazines, the Hamilton Spectator and New Mexico Review.
Request Letters, 1970-2012: Mostly letters from people asking John Nichols to "do stuff," like read their books, blurb their books, find them a publisher, come and speak to their class, do a workshop, contribute books for their benefit auction, etc.
Royalty Statements,1965-2011
Screenplays, 1965-2004: Includes screenplays, drafts, and edited drafts of screenplays written by Nichols, or written by others as adaptations of Nichols' works. Notable titles include "Missing" and "The Milagro Beanfield War."
Slides, 1960-2000: Most of the slides were taken between 1973 and 1995, primarily in and around Nichols' Taos home, in Taos proper, or around the immediate Taos valley and western mesas, or on some of the small streams southeast of Taos or in the mountains of Taos County.
Videos 1984-2013: This is a collection of videos include interviews or documentariesJohn Nichols has done I've done or documentaries I've done, or have been included in.
Dates
- 1993
Language of Materials
From the Collection:
English
Access Restrictions
The collection is open for research, however, researchers must sign consent form prior to gaining access to materials. Calavera drawings, proofs, and etchings as well as "little diaries" (Boxes 14, 125, 126, 129, 142) are housed in high security and may require up to 24 hours for retrieval. Enlarged photocopies and typed transcriptions of "little diaries" in Box 142 are located in Box 184.
Extent
From the Collection: 184 boxes (172 cu. ft.)
General
Danny Sheehan and Johnny Cusack got me involved in this one. Danny helped found the Christic Institute. He was a lawyer on the Karen Silkwood team investigating her death. He came up with a conspiracy, by the US government (CIA, FBI), to smuggle plutonium out of the Oklahoma City Kerr McGee plant, but was never allowed to take the conspiracy aspect of the case to trial. Negligence, yes, and he and Gerry Spence won several millions for the Silkwood family. But Danny and Johnny wanted to make a film about the conspiracy. Mike Medavoy, head of Tri-Star, suggested they get me as a writer. They did. They sent me 2 books about Karen's life and death and the conspiracy to smuggle plutonium: Who Killed Karen Silkwood by Howard Kohn (Summit Books, 1981), and The Killing of Karen Silkwood by Richard Rashke (Houghton Mifflin, 1981). We talked a lot. I went to the coast and spent three days in the Marina Pacific Hotel talking to Danny Sheehan, Johnny Cusack, and Steve Pink, Johnny's assistant. Then we all went and pitched Medavoy at Tri-Star, although I hadda do all the talking because they had already pitched him before. It was about a 45 minute shtik...and we never got the bread, and that was the end of that.
Contains various drafts of treatments that I did, the original handwritten drafts, and various typed up versions. I actually did a lot of work. Folder also contains correspondence with Forrest Murray, Steve Pink, Johnny Cusack, Danny Sheehan, Mike Medavoy, January-August 1993. Forrest Murray was an L.A. producer who used to live in Taos. I'm not sure quite his involvement, if he was connected to Johnny's company, New Crime, or not. folder also has a 7-page resume for Danny Sheehan; a 3-page treatment done by New Crime; an October 1992 treatment of the story by Danny Sheehan; some very long memorandums from Danny to me; a 12-page treatment, I guess by Danny; and my telephone notes on envelopes and typing paper of our calls back and forth. There's even an August 3, 1993 rejection letter from Mike Medavoy, and an August 11 letter from me to Mike begging him to consider further. Fat chance! In all, about 400 pp. NOTE: My handwritten notes from first Sheehan//Cusack meeting are in Red Mead notebook in Great Feelings of Love (A) in box 53, folder 14.
Contains various drafts of treatments that I did, the original handwritten drafts, and various typed up versions. I actually did a lot of work. Folder also contains correspondence with Forrest Murray, Steve Pink, Johnny Cusack, Danny Sheehan, Mike Medavoy, January-August 1993. Forrest Murray was an L.A. producer who used to live in Taos. I'm not sure quite his involvement, if he was connected to Johnny's company, New Crime, or not. folder also has a 7-page resume for Danny Sheehan; a 3-page treatment done by New Crime; an October 1992 treatment of the story by Danny Sheehan; some very long memorandums from Danny to me; a 12-page treatment, I guess by Danny; and my telephone notes on envelopes and typing paper of our calls back and forth. There's even an August 3, 1993 rejection letter from Mike Medavoy, and an August 11 letter from me to Mike begging him to consider further. Fat chance! In all, about 400 pp. NOTE: My handwritten notes from first Sheehan//Cusack meeting are in Red Mead notebook in Great Feelings of Love (A) in box 53, folder 14.
Repository Details
Part of the UNM Center for Southwest Research & Special Collections Repository
Contact:
University of New Mexico Center for Southwest Research & Special Collections
University Libraries, MSC05 3020
1 University of New Mexico
Albuquerque NM 87131
505-277-6451
cswrref@unm.edu
University of New Mexico Center for Southwest Research & Special Collections
University Libraries, MSC05 3020
1 University of New Mexico
Albuquerque NM 87131
505-277-6451
cswrref@unm.edu