FAN LETTERS, 1969-2011
Series
Scope and Content
From the Collection:
John Nichols' papers document a wide range of history and culture and personal connections in New Mexico (and elsewhere) over the last 55 years. This all-inclusive collection contains almost every draft of every manuscript Nichols has written, and every piece of correspondence that he has sent and received since the late 1950s. The collection not only documents the creation and evolution of his literary works, but precisely documents the literary process. His correspondence, speeches, and artwork chronicle contemporary political and social issues and shed light not only on John Nichols, but also illuminate the perspectives of a large array of contemporary literary, political, and everyday figures and issues in New Mexico and around the globe.
Activities, 1970-2008: These files include speeches, political organizing, trips, magazine articles, and many other projects and activities undertaken by Nichols.
Articles, 1969-2007: Contain various newspaper and magazine articles about John Nichols and his books.
Artwork, 1969-2004: Sketchbooks, drawings and cartoons by John Nichols. Significant works including a complete set of pen and ink calavera drawings, artists proofs, and etchings of calaveras done to illustrate The Magic Journey; published and unpublished political cartoons, mostly done during the 1970s for Albuquerque's alternative newspaper, Seer's Catalogue, and illustrations and cartoons done for Hamilton College's track & field newsletter The Good Scout.
Book Reviews, 1965-2007: Published reviews of John Nichols' books.
Book/Film Contracts, 1964-2012: Xerox copies of some of the main contracts Nichols has signed for book publishing, film options, and screen-writing assignments. With a few magazine and journal and audio recording pufferies thrown in.
Book/Movie/Agent Correspondence, 1963-2007: This consists of files of correspondence between Nichols and agents, editors, publishers, producers, directors, production people, and others involved with his professional life of writing books and screenplays.
Correspondence 1950s-1960s, 1950-2012: This series contains letters from Nichols' teenage years, while at Hamilton College, and then living in New York City until 1969. Later correspondence is often included, the criteria being that the letter exchanges began in the 1950s or 1960s.
Envelope Diaries, 1998-2002: Envelope diaries and field observations played a huge role in creating Nichols' literature. He kept a record of hikes on the backs of envelopes and carefully typed up these transcripts afterwards. Once he began carrying a little tape recorder that was the end of the envelope diary field notes.
Eulogies, 1980-2007: Written by John Nichols for some of his departed friends.
Fan Letters, 1969-2011: Consist mainly of letters to Nichols, mostly from strangers, commenting on his books or other projects, and of carbons of some of his typed replies to these letters from strangers.
General Correspondence, 1970-2012
Jouranl/Diary Ephemera, 1955-1966: Ephemera connected to Nichols' life between age 15-26, during prep school and college and a few years after college.
Journal/Diary Files, 1956-2007: Nichols has kept journals off and on since age fifteen.
Manuscripts, 1957-2012: This series contains nearly every draft of every title that John Nichols wrote between 1957 and 2012. Notable titles include "The Sterile Cuckoo" and the New Mexico Trilogy: "The Milagro Beanfield War," "The Magic Journey," and "The Nirvana Blues."
Memorabilia, 1968-1997: Hermes Rocket typewriter used to type Milagro, and Olympia typewriter used to type manuscripts from 1974 until 1997, when Nichols finally began using the computer.
Miscellaneous Carbons, 1964-2009: These are carbon copies of business and personal letters, typed by Nichols and not matched up with correspondence files elsewhere.
Novel Notes, 1961-2006: Notes that Nichols scribbled in notebooks and on the backs of envelopes. He often wrote dozens of variations on a theme in notebooks trying to get a handle, find a starting point.
Phone Messages, 1987-2007
Photographs, 1955-2013: This is a cross-section of photographs of Nichols, his family and friends, lots of photographs related to publicity for his books, or hiking mesas and climbing mountains.
Photography Workshops in Taos, 1988-1998: Nichols' friend sponsored the Owens Valley Photography Workshops (begun in 1975) for many years. The workshops catered to serious, and usually large-format, photographers in the mold of Ansel Adams and others of his ilk. Nichols guest lectured at the workshop for 10 summers, beginning in 1988.
Pocket Notebooks, 1980-2010: Things to do, lists, notes for novels, field notes when hiking, random thoughts, and so forth.
Publications, 1959-2007: Magazines and newspapers containing articles by or about Nichols. This includes prep school and college literary magazines, the Hamilton Spectator and New Mexico Review.
Request Letters, 1970-2012: Mostly letters from people asking John Nichols to "do stuff," like read their books, blurb their books, find them a publisher, come and speak to their class, do a workshop, contribute books for their benefit auction, etc.
Royalty Statements,1965-2011
Screenplays, 1965-2004: Includes screenplays, drafts, and edited drafts of screenplays written by Nichols, or written by others as adaptations of Nichols' works. Notable titles include "Missing" and "The Milagro Beanfield War."
Slides, 1960-2000: Most of the slides were taken between 1973 and 1995, primarily in and around Nichols' Taos home, in Taos proper, or around the immediate Taos valley and western mesas, or on some of the small streams southeast of Taos or in the mountains of Taos County.
Videos 1984-2013: This is a collection of videos include interviews or documentariesJohn Nichols has done I've done or documentaries I've done, or have been included in.
Activities, 1970-2008: These files include speeches, political organizing, trips, magazine articles, and many other projects and activities undertaken by Nichols.
Articles, 1969-2007: Contain various newspaper and magazine articles about John Nichols and his books.
Artwork, 1969-2004: Sketchbooks, drawings and cartoons by John Nichols. Significant works including a complete set of pen and ink calavera drawings, artists proofs, and etchings of calaveras done to illustrate The Magic Journey; published and unpublished political cartoons, mostly done during the 1970s for Albuquerque's alternative newspaper, Seer's Catalogue, and illustrations and cartoons done for Hamilton College's track & field newsletter The Good Scout.
Book Reviews, 1965-2007: Published reviews of John Nichols' books.
Book/Film Contracts, 1964-2012: Xerox copies of some of the main contracts Nichols has signed for book publishing, film options, and screen-writing assignments. With a few magazine and journal and audio recording pufferies thrown in.
Book/Movie/Agent Correspondence, 1963-2007: This consists of files of correspondence between Nichols and agents, editors, publishers, producers, directors, production people, and others involved with his professional life of writing books and screenplays.
Correspondence 1950s-1960s, 1950-2012: This series contains letters from Nichols' teenage years, while at Hamilton College, and then living in New York City until 1969. Later correspondence is often included, the criteria being that the letter exchanges began in the 1950s or 1960s.
Envelope Diaries, 1998-2002: Envelope diaries and field observations played a huge role in creating Nichols' literature. He kept a record of hikes on the backs of envelopes and carefully typed up these transcripts afterwards. Once he began carrying a little tape recorder that was the end of the envelope diary field notes.
Eulogies, 1980-2007: Written by John Nichols for some of his departed friends.
Fan Letters, 1969-2011: Consist mainly of letters to Nichols, mostly from strangers, commenting on his books or other projects, and of carbons of some of his typed replies to these letters from strangers.
General Correspondence, 1970-2012
Jouranl/Diary Ephemera, 1955-1966: Ephemera connected to Nichols' life between age 15-26, during prep school and college and a few years after college.
Journal/Diary Files, 1956-2007: Nichols has kept journals off and on since age fifteen.
Manuscripts, 1957-2012: This series contains nearly every draft of every title that John Nichols wrote between 1957 and 2012. Notable titles include "The Sterile Cuckoo" and the New Mexico Trilogy: "The Milagro Beanfield War," "The Magic Journey," and "The Nirvana Blues."
Memorabilia, 1968-1997: Hermes Rocket typewriter used to type Milagro, and Olympia typewriter used to type manuscripts from 1974 until 1997, when Nichols finally began using the computer.
Miscellaneous Carbons, 1964-2009: These are carbon copies of business and personal letters, typed by Nichols and not matched up with correspondence files elsewhere.
Novel Notes, 1961-2006: Notes that Nichols scribbled in notebooks and on the backs of envelopes. He often wrote dozens of variations on a theme in notebooks trying to get a handle, find a starting point.
Phone Messages, 1987-2007
Photographs, 1955-2013: This is a cross-section of photographs of Nichols, his family and friends, lots of photographs related to publicity for his books, or hiking mesas and climbing mountains.
Photography Workshops in Taos, 1988-1998: Nichols' friend sponsored the Owens Valley Photography Workshops (begun in 1975) for many years. The workshops catered to serious, and usually large-format, photographers in the mold of Ansel Adams and others of his ilk. Nichols guest lectured at the workshop for 10 summers, beginning in 1988.
Pocket Notebooks, 1980-2010: Things to do, lists, notes for novels, field notes when hiking, random thoughts, and so forth.
Publications, 1959-2007: Magazines and newspapers containing articles by or about Nichols. This includes prep school and college literary magazines, the Hamilton Spectator and New Mexico Review.
Request Letters, 1970-2012: Mostly letters from people asking John Nichols to "do stuff," like read their books, blurb their books, find them a publisher, come and speak to their class, do a workshop, contribute books for their benefit auction, etc.
Royalty Statements,1965-2011
Screenplays, 1965-2004: Includes screenplays, drafts, and edited drafts of screenplays written by Nichols, or written by others as adaptations of Nichols' works. Notable titles include "Missing" and "The Milagro Beanfield War."
Slides, 1960-2000: Most of the slides were taken between 1973 and 1995, primarily in and around Nichols' Taos home, in Taos proper, or around the immediate Taos valley and western mesas, or on some of the small streams southeast of Taos or in the mountains of Taos County.
Videos 1984-2013: This is a collection of videos include interviews or documentariesJohn Nichols has done I've done or documentaries I've done, or have been included in.
Dates
- 1969-2011
Language of Materials
From the Collection:
English
Access Restrictions
The collection is open for research, however, researchers must sign consent form prior to gaining access to materials. Calavera drawings, proofs, and etchings as well as "little diaries" (Boxes 14, 125, 126, 129, 142) are housed in high security and may require up to 24 hours for retrieval. Enlarged photocopies and typed transcriptions of "little diaries" in Box 142 are located in Box 184.
Extent
From the Collection: 184 boxes (172 cu. ft.)
General
Note: Comments and description provided by John Nichols.
The correspondence in these files consists of letters to me, mostly from strangers, commenting on my books or other projects, and of carbons of some of my typed replies to these letters from strangers. I saved fan letters haphazardly. They are organized here in chronological order according to the years I received them. But within each year I have not organized the letters (and my responses to them) chronologically. Undated letters I tried to date (years later) in accordance with how I had originally filed them. Many letters I answered by hand, often with postcards, so I have no record of those replies. Yet I did keep separate files of MISCELLANEOUS CARBONS of my typed replies to FAN and REQUEST letters. Years later (i.e. at age 70!) I attempted to correlate these carbons with, and staple them to, the FAN and REQUEST letters they were replying to. Not an easy task because my typed carbons were often addressed to first names only. I should have imposed a foolproof filing structure and filing method on this material when I was 20 years old. Trying to impose that structure on all the material 50 years later has been a...hassle. Nevertheless, I feel that fan letters with my replies attached to them are maybe a little more interesting. In each individual file I have arranged fan letters with my replies attached in the front of the file, and letters without any of my replies attached in the back of each file. There are also many FAN and REQUEST letters in my GENERAL CORRESPONDENCE FILES. I was never much bombarded with fan mail, which is perhaps why I could keep files on some of it in the first place. Many "letters" to me are merely postcards. But there are occasional long, thoughtful, often touching communications which do speak to the benefits of connecting with people "out there" through my work. Copyright to the content of letters sent to me is held by the authors of those letters, not by John Nichols or by the Center for Southwest Research. Also, before accessing these files researchers are required to sign a request agreement with the Center for Southwest Research agreeing not to reveal names of living persons or to use any materials that might constitute libel or an invasion of privacy of anyone. (NOTE: Some FAN LETTERS can be found in other parts of my archives inventory. For example in: THE STERILE CUCKOO, FAN LETTERS, 1965-1975 (in BOX 103, FOLDER 26). And in: WIZARD OF LONELINESS, FAN LETTERS, 1966-1967 (in BOX 104, FOLDER 17). And in: MILAGRO FAN LETTERS, 1974-1977 (in BOX 104, FOLDER 25). BOX 104 also holds FAN AND BUSINESS LETTERS in FOLDERS 47 and 48, but these are mostly REQUESTS.)
The correspondence in these files consists of letters to me, mostly from strangers, commenting on my books or other projects, and of carbons of some of my typed replies to these letters from strangers. I saved fan letters haphazardly. They are organized here in chronological order according to the years I received them. But within each year I have not organized the letters (and my responses to them) chronologically. Undated letters I tried to date (years later) in accordance with how I had originally filed them. Many letters I answered by hand, often with postcards, so I have no record of those replies. Yet I did keep separate files of MISCELLANEOUS CARBONS of my typed replies to FAN and REQUEST letters. Years later (i.e. at age 70!) I attempted to correlate these carbons with, and staple them to, the FAN and REQUEST letters they were replying to. Not an easy task because my typed carbons were often addressed to first names only. I should have imposed a foolproof filing structure and filing method on this material when I was 20 years old. Trying to impose that structure on all the material 50 years later has been a...hassle. Nevertheless, I feel that fan letters with my replies attached to them are maybe a little more interesting. In each individual file I have arranged fan letters with my replies attached in the front of the file, and letters without any of my replies attached in the back of each file. There are also many FAN and REQUEST letters in my GENERAL CORRESPONDENCE FILES. I was never much bombarded with fan mail, which is perhaps why I could keep files on some of it in the first place. Many "letters" to me are merely postcards. But there are occasional long, thoughtful, often touching communications which do speak to the benefits of connecting with people "out there" through my work. Copyright to the content of letters sent to me is held by the authors of those letters, not by John Nichols or by the Center for Southwest Research. Also, before accessing these files researchers are required to sign a request agreement with the Center for Southwest Research agreeing not to reveal names of living persons or to use any materials that might constitute libel or an invasion of privacy of anyone. (NOTE: Some FAN LETTERS can be found in other parts of my archives inventory. For example in: THE STERILE CUCKOO, FAN LETTERS, 1965-1975 (in BOX 103, FOLDER 26). And in: WIZARD OF LONELINESS, FAN LETTERS, 1966-1967 (in BOX 104, FOLDER 17). And in: MILAGRO FAN LETTERS, 1974-1977 (in BOX 104, FOLDER 25). BOX 104 also holds FAN AND BUSINESS LETTERS in FOLDERS 47 and 48, but these are mostly REQUESTS.)
Repository Details
Part of the UNM Center for Southwest Research & Special Collections Repository
Contact:
University of New Mexico Center for Southwest Research & Special Collections
University Libraries, MSC05 3020
1 University of New Mexico
Albuquerque NM 87131
505-277-6451
University of New Mexico Center for Southwest Research & Special Collections
University Libraries, MSC05 3020
1 University of New Mexico
Albuquerque NM 87131
505-277-6451