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European Photographers (A-Q), 1860 - 1920

 File — Box: 1

Scope and Contents

  1. Abdullah Brothers, “Photographers to His Imperial Majesty the Sultan,” Constantinople / Istanbul: Small girl in white dress sitting on studio couch with one foot tucked under her knee, 1860s. Back design with Ottoman inscription and medals. HP.2001.05 / 201510
  2. G. Agostini, Rome: “Sediario” (i.e., a bearer of the Pope’s processional throne); standing man in medieval costume. Heavily painted, ca 1860s. HP.2001.05 / 201468
  3. A. H. Ahlfors, Karlskrona, Sweden: P.O.P. Sailor standing by large anchor and naval backdrop, ca 1900. HP.2003.31 / 201658
  4. M. Ahner, Publisher, Muskau O./L: Horizontal copy of graphic of Karptenbrucke Castle (in Prussia-Silesia NW of Breslau), 1860s. Right side of card cut off. HP.2001.05 / 201447
  5. [Hand-colored] Adolphe Marie Alexandre Alophe (1811-1883), Paris ("Successor to Gustave LeGray"): Vignetted group of heads of two girls and a small boy ca 1860; Second Empire logo on back HP.2001.13 / 186617
  6. Adolphe Marie Alexandre Alophe: 3/4-length man with one hand holding coat lapel ca 1860; Second Empire logo on back HP.2001.13 / 186616
  7. American Photographic Company, London: Infant in white dress on draped studio chair, n.d. HP.2003.41 / 201591
  8. [Albumen on card cut down to print edges] Ludwig Angerer (1838-1916), Vienna, Austria: Man in suit with long coat open, standing in studio setting facing away from camera—perhaps to show off thick, curly hair—and holding silk hat behind him in both hands, ca 1860s. HP.2001.13 / 186729
  9. [Albumen on card cut down to print edges] Ludwig Angerer (1838-1916), Vienna, Austria: Standing man in hunting suit, with hammer shotgun and pointer dog by feet, in studio setting, ca 1865. Small back imprint with Imperial arms and pencil notation, “Papa c 1865” HP.2001.13 / 186730
  10. Ludwig Angerer, Vienna, Austria: The Countess of Paris, ca 1870. Isabelle d’Orleans, born Princess of Spain; daughter of Duke of Montpensier and grand-daughter of Louis Philippe of France. Married Philippe Aubert d’Orleans, Count of Paris, in 1864. HP.2001.05 / 201536
  11. Robert Armstrong (b 1818 or 1819), Edinburgh, Scotland, United Kingdom: Woman in full striped skirt, cape and bonnet, seated in large carved chair, holding infant and small girl; another small girl sits below in studio setting, ca 1856-65. Central back imprint framed by ribbon; ink notation: “Nurse with May, Pearl, and Anna.” HP.2001.13 / 186708
  12. Firma Artot, Vienna, Austria: Vignetted bust of bearded soldier with sword hilt ca 1864-68 [in the period of Austria's involvement in wars against Denmark and Prussia]. Center back imprint [firm not recorded in Austrian histories] HP.2001.13 / 186733
  13. Atelier Belge / Joseph Vandenhoff (1823-1867), Brussels, Belgium: Standing woman in crinoline, hands on open carte-de-visite album on table, 1863-65. HP.2001.05 / 201539
  14. [Mat collodion print] Ludvig Jensen August (1864-?), Copenhagen, Denmark: Half-length seated soldier (''22" on cap) with bayonet on belt ca 1900-10 [Print signed diagonally in ink, "Einer Engeberg" (?)] HP.2001.13 / 186608
  15. Jean Baptiste Bailly and Maurice, Tours, France: 3/4 standing boy in school uniform 1860s HP.2001.13 / 186618
  16. [Horizontal mat brown-toned collodion print on gray card] Barasch Brothers, Konigsberg, Germany: Fashionably-dressed woman in large hat, man with large beard and moustache, and girl with large hat before blank studio backdrop which just shows handle at right end ca 1900-05 HP.2001.13 / 186635
  17. Baron and Mitkievicz, Brussels, Belgium: Seated older woman in street dress, 1860s. HP.2001.05 / 201375
  18. Francis Bedford, “Photographer to the Prince of Wales,” United Kingdom (England): Horizontal view #675 Conway—the Church, the Rood Screen (with Bedford’s stereo camera by door in background), 1860s. HP.2001.05 / 201511
  19. Charles [Carlo] Bergamasco, St. Petersburg, Russia: Vignetted bust length portrait of man in military costume with medals and cords, inscribed on the back “Duke of Connaught” (Arthur William Patrick Albert [1850-1942], son of Queen Victoria, Governor General of Canada), ca 1874. Elaborate back imprint with award medals and seals. Blind stamp of William Luks / London. HP.1999.23 / 176669
  20. G. J. van den Berge, Deventer, Netherlands: Older woman in Dutch lace bonnet, seated in studio, ca 1890. HP.2003.41 / 201586
  21. Jean Baptiste Berubet (active 1850s-1880), Clermont-Ferrand, France: Top back of “Cathedral of Clermont,” ca 1870. HP.2001.05 / 201405
  22. [Card trimmed down sides] Bijou Studio, Margate, England, United Kingdom: Man in suit and derby, seated in studio setting with arm on two albums next to ashtray on table, hand on top of cane ca 1880. Full back imprint of small boat at base of rocky cliff below branches at edge of sea HP.2001.13 / 186681
  23. Robert Jefferson Bingham (ca 1800-1870), Paris: Seated man with moustache and chin beard, ca 1865. HP.2003.31 / 201730
  24. [Hand-painted print with corners cut round] Bisson Frères, Paris: Seated woman in striped peasant dress, in studio, ca 1855-60. HP.2001.13 / 186620
  25. Bisson Frères, Paris: Seated young man with elbow on stand with books and hand in pocket, 1860s. HP.2001.05 / 201406
  26. [Embossed enamel print] Blain Freres [i.e. Isidore and brother], Valence, France: Vignetted bust of man with moustache and chin beard ca 1870s. [Red full back imprint including American eagle logo and declaring "Photographie Americaine"] HP.2001.13 / 186621
  27. Giacomo Borelli, “Royal Photography,” Rome: semi-gloss enameled print of Pope Leo XIII (reigned 1878-1903) on throne. Depose copyright notice, “Montabone (continued studio name of photographer’s predecessor, who died 1877), 1887.” HP.2001.05 / 201469
  28. Louis François Bourgouin, (d. 1877), Niort, France: Ellipse masked bearded man in officer’s dress uniform with medal, ca 1860s. Painted harbor backdrop. HP.2001.05 / 201407
  29. Louis François Bourgouin, (d. 1877), Niort, France: Bearded man in carved chair, holding gloves; other hand on open photo album on table, 1860s. HP.2001.05 / 201408
  30. H. Bown, London: Ellipse masked bust of woman with large brooch on collar, n.d. HP.2003.41 / 201589
  31. Théophile Brackelaire, Tournai, Belgium: Small boy holding whip, in studio with cart hitched to goat, 1890s. (Imprint indicates studio founded in 1863). HP.2001.05 / 201376
  32. [Card clipped at comers] Brading and Company, Newport, Isle of Wight, England, United Kingdom: Portly grizzled older man in cross-striped trousers and frock coat with bow tie, seated in fringed chair by floral carved table with one loose mounted photograph, one hand holds cigar, other hand holds cane, in studio setting ca 1860. [Overall impression is somewhat of a person out of Charles Dickens.] Small back imprint with cartoon of sailing vessel HP.2001.13 / 186682
  33. Adolphe Braun, Dornach: #192/876 Bingen (Germany), 1860s (photographed by Adolphe’s son). HP.2001.05 / 201409
  34. Adolphe Braun: #2561 Rheinstein Castle, Germany, 1860s. (photographed by Adolphe’s son). HP.2001.05 / 201410
  35. Adolphe Braun: #169 Quentin Metsys Monument, Antwerp, Belgium, 1860s. (photographed by Adolphe’s son). HP.2001.05 / 201411
  36. Adolphe Braun: #4061 Cathedral, Antwerp, Belgium, 1867. (photographed by Adolphe’s son) Printed caption on back with hand written date, 20 Mai 1867. HP.2001.05 / 201412
  37. Adolphe Braun: #184/3930 Council Chamber of Palace, Amsterdam, 1860s. (photographed by Adolphe’s son). HP.2001.05 / 201413
  38. Giacomo Brogi, Florence, Italy: Staircase and carved panels at the Bargello, Florence, 1860s. Pencil title and back imprint with notes of extensive collection of available views, even to Egypt and Palestine. HP.2001.05 / 201470
  39. [Richard] Brown, Barnes and Bell, London and several other British locations: Half-length young man in uniform (probably postal or telegraph boy), holding cap in hands, leaning on draped pedestal in studio, 1886-89 [only period of common location for two London addresses.] Full back imprint with one upper loop in common for all three names, list of locations, and notes of medals and appointment to the Queen and several members of the Royal family. HP.2001.13 / 186683
  40. Brown and Wheeler [John Brown, active ca 1867-1875, and John George Wheeler, ca 1828-1905)], West Cowes, Isle of Wight, England: Eroded sea cliff and tunnel rock, “Freshwater Bay / Isle of Wight / July [18]71.” HP.2003.31 / 201725
  41. Brown and Wheeler [John Brown, active ca 1867-1875, and John George Wheeler, ca 1828-1905)], West Cowes, Isle of Wight, England: Four men on sea cliff, “The Needles and Alum Bay / Isle of Wight / July [18]71.” HP.2003.31 / 201726
  42. John Bull, Peterborough, England, United Kingdom: “Miss A. L. White, standing full length portrait, ca 1860. HP.2001.04 / 184333
  43. S. Bureau, Paris: Standing soldier with long rifle and mounted long bayonet, in studio setting, ca 1870? HP.2003.41 / 201578
  44. John Burton and Sons, England: Oversized card; “Sole Photographers to the Shakspeare [sic] Tercentenary Festival,” Edward Fordham Flower (1805-1883), Mayor of Stratford-on-Avon during the Shakespeare Tercentenary, 1864. Signed by Flower. HP.2003.31 / 201721
  45. John Burton and Sons, England: Horizontal view of brick and timber house, “The Hill Stratford on Avon where E. F. Flower is glad to see loyal Americans,” 1864. Inscribed on back by Mayor Flower. HP.2003.31 / 201722
  46. [Horizontal print] Thomas S. Butterworth, Rochdale, Lancashire, England (United Kingdom): Well-dressed couple sitting on iron bench outdoors; wife has mutton-leg sleeves, man holds cigar ca 1895-1900. Rubber stamp back imprint. HP.2001.13 / 186684
  47. Caldesi, Blanford and Company, London: Tom Taylor (1817-1880), English writer, editor and playwright; author of Our American Cousin, which was performed at Ford’s Theater the evening President Lincoln was assassinated. HP.2003.31 / 201643
  48. J. Caloe, Sheffield, England, United Kingdom: Standing full length portrait of a man in hunting clothes, rifle or shotgun propped on studio rock. Photographer’s imprint in lower margin and on back. HP.1975.52 / 066551
  49. W. Carrick, St. Petersburg, Russia: Letter carrier in uniform, posed in studio with postman’s pouch and letters, 1860s. HP.2001.05 / 201500
  50. [Ellipse-masked albumen] Leopoldo Casiñol, Jerez de la Frontera, Spain: Vignetted bust of a man in striped waistcoat ca 1870. Front imprint indicates “Heliochromy by contact” in reference to his system for rendering tonal gradations more accurately than previous methods did relative to the colors of the subjects; the back imprint indicates that he won several prizes at international expositions between 1857 and 1869. HP.2001.13 / 186668
  51. [A.] Cavilla and Bruzon, Gibraltar, Spain: Bearded man standing in studio, leaning on books on pedestal ca 1885-90. Back imprint with palette; ink inscription of regard for Juan Gabardu (?) with signature of subject cut off. [This firm was Spanish, but this is the only reference found thus far to Bruzon; Cavilla having been active alone in Spain, Morocco, and Algeria.] HP.2001.13 / 186669
  52. Charles Chambon, Bordeaux: Small girl in white, sitting on two cushions ca 1890s. [Elaborate red and black back imprint, noting telephone in studio; item chosen for imprint rather than weak and faded print] HP.2001.13 / 186622
  53. Paul Emile Chappuis and Co., London: Horizontal view of Temple Bar, London, 1869-72. Gummed label over original photographer’s back imprint. HP.2001.05 / 201512
  54. Paul Emile Chappuis and Co., London: Horizontal view of St. Paul’s Cathedral over rooftops, London, 1869-72. Gummed label over original photographer’s back imprint. HP.2001.05 / 201513
  55. [Jean Cesar] Charlet and [Louis Charles] Jacotin, Paris: Gioacchino Antonio Rossini, opera composer, ca 1863-67; after an engraving. HP.2003.31 / 201645
  56. F. Charnaux, Geneva, Switzerland: Horizontal albumen print “No. 120 La Mer de Glace vue prise du Montenvert.” Ca 1860s. HP.2001.04 / 184335
  57. F. Charnaux, Geneva, Switzerland: Horizontal albumen print “No. 612 Chemin de Fer Risi Arth” depicting a mountainous railway and train, ca 1860s-70s. HP.1982.81 / 103027
  58. Lars Christensen (1843-1923), Nakskov, Denmark: Standing woman in dark jacket and bustle skirt, leaning forward on inverted rolled parasol 1870s; some hand-tinting HP.2001.13 / 186606
  59. Charles Clarkington, London: Standing man in full suit with high collar and bow tie, one hand on carved table by large silk hat, before studio backdrop of parlor with book shelves. Ink inscription on back, “Portrait of William Witchell May 1862” below shield logo with initials under crown and above ribbon with address. HP.2001.13 / 186685
  60. Antoine Claudet, “To Her Majesty, London:” Young boy in suit by studio balustrade, 1860s. (Top corner creased and card layers separating at top.) HP.2001.05 / 201514
  61. E. J. Cohen, Newcastle, England, United Kingdom: Horizontal elliptical masked view of a bridge over a river (River Tyne?). No HP# / 201756
  62. Edgard Colette, Spa, Belgium: Boy sitting on studio rocks, holding walking stick and straw hat, ca 1890s. HP.2001.05 / 201540
  63. Albert Jacob Peter von Conor Carolsfeld-Krausé, Danish (18676-1928), Roskilde, Denmark: Mat collodion ellipse cut profile of infant, ca 1900 (an unusually fine portrait). HP.2003.41 / 201575
  64. E. Cornelisse, Brussels and Rotterdam: Seated older woman in flowered shawl and bonnet, ca 1870. HP.2001.05 / 201541
  65. Corrodi, Berne, Switzerland: Standing young man with wavy blond hair and two-color suit in studio setting with carved table, ca 1870. Horizontal back imprint, “Corrodi, Optician.” HP.2001.13 / 186678
  66. Charles Cramponi, Brussels, Belgium: Unidentified member of the Belgian Missionary Congregation for China, known as the Scheut Fathers, ca 1903. HP.1999.42 / 176898
  67. Crerar, Crieff, Scotland: “George MacLeish” in tweed Scottish kilt suit and dark cap, standing by studio balustrade ca 1860s. Central back imprint below ink identification. HP.2001.13 / 186709
  68. Crillon (professional name of Alexandre Pierre Clement Casajeus, b. Paris 1823), Paris: Embossed enameled ellipse masked half length woman with ribbon tie, ca 1880s. HP.2002.08 / 201749
  69. A. Crowe, Stirling, Scotland: #82 Horizontal view of Reception Room, Stirling Castle (with boy clerk and sales display of stereographs and photographs), 1860s. HP.2001.05 / 201525
  70. A. Cucumus and Cie., Swabia, Germany: Series “National-Trachten” Woman in Swabian regional costume; front and back views on two sides of card, 1860s. HP.2001.05 / 201448
  71. C. Dammann, Hamburg, Germany: Scene in park with woman in apron and boy on knees on bank of pond, 1870s. HP.2001.05 / 201449
  72. C. Dammann, Hamburg, Germany: Hand-colored woman with flower basket and girl with flower, both in regional costume of The Four Lands, 1870s. HP.2001.05 / 201450
  73. Albert Damry, Liege, Belgium: Bust of young man in uniform, parted curly hair, ca 1880s. HP.2001.05 / 201542
  74. Walter Damry (1833 – after 1890), Brussels, Belgium: Fierce looking actor in “antique” costume, 1875-80. HP.2001.05 / 201377
  75. Victor Daveluy (1846-1886), Bruges, Belgium: Three boys with parted hair and ribbon ties, seated in a studio boat, 1870s. HP.2001.05 / 201543
  76. Pierre-Edouard Dechamps and Cie. (1828-1896), Brussels, Belgium: “Ruins of the Farm of Hougoumont, (inside), 1870s. (A major point in the Battle of Waterloo). HP.2001.05 / 201378
  77. Delboy Brothers [M.C. and ?], Den Haag, Netherlands: Young woman seated in profile with head toward camera; hair in heavy braids, one on top with hand-tinted flower, ca 1895-1900. HP.2001.13 / 186658
  78. Jules Deplanque, Paris: #137 Rue de Rivoli, Paris, 1860s. HP.2001.05 / 201414
  79. F. Deron, Brussels, Belgium: Standing portrait of the Duke and Duchess of Brabant (later King Leopold II and Queen Marie-Henriette of the Belgians). No HP# / 131999
  80. F. Deron, Brussels, Belgium: Seated woman in a black dress, ca 1875. HP.2001.04 / 184329
  81. Francois Deron, Brussels, Belgium: Standing young man by carved studio chair and table, 1860s. HP.2001.05 / 201544
  82. Descamps / Palmer, Courtrai, Belgium: Postmortem woman in bed, hands propped on book and crucifix, ca 1870. HP.2001.05 / 201379
  83. E. Desmaisons, Paris (publisher/dealer): Copy of graphic print of Mansard, architect during the reign of Louis XIV. HP.1998.28 / 173427
  84. E. Desmaisons, Paris (publisher/dealer): Copy of painting of Czarina Maria Alexandrovna (née Marie of Hesse-Darmstadt, wife of Alexander II of Russia), 1860s. Small initial blind stamp in lower corner; pencil caption on back plus gummed label, “Velten, Editeur / Maison de l’Eglise Hollandaise / St. Petersbourg.” HP.2001.05 / 201415
  85. R. Dighton, Cheltenham, England, United Kingdom: “Henry Johnson, sqre, 80th Regt.” Young man dressed in elaborately embroidered and decorated uniform in studio setting, holding Colt revolver, ca 1865-70. HP.2001.04 / 184334
  86. Adolphe Eugene Disderi, Paris: Seated woman holding book, by large floral display, 1860s. Back caption in pencil redrawn in ink, “Valentine Deffant.” HP.2001.05 / 201416
  87. Adolphe Eugene Disderi, Paris: Ellipse masked bust of elegant woman; pencil notation on back, “Riel.” HP.2003.41 / 201579
  88. Adolphe Eugene Disderi, Paris and London: ¾ length standing portrait of a woman in a dark crinoline gown. HP.2003.41 / 201580
  89. Douglas, Edinburgh, Scotland: #54 Sir Walter Scott’s Tomb, and Dryburgh Abbey, 1860s. HP.2001.05 / 201526
  90. W. and D. Downey, London, England, United Kingdom: Half length standing portrait of H.R.H. Princess of Wales (Princess Alexandra of Denmark) with hair piled high on head, which is resting on her right hand, ca 1870. Full back floral imprint of publisher, “Portrait from Life” and “John C. Murdoch / Publisher / London, Edinburgh and Glasgow.” HP.2000.2 / 180990
  91. W. and D. Downey, London, England, United Kingdom: Bust length portrait of H.R.H. Duke of Edinburgh (Alfred) with arms crossed, ca 1870. Full back floral imprint of publisher, “Portrait from Life” and “John C. Murdoch / Publisher / London, Edinburgh and Glasgow.” HP.2000.2 / 180989
  92. W. and D. Downey, London, England, United Kingdom: Alexandra, Princess of Wales, with baby on her back, 1860s. HP.2001.05 / 201515
  93. W. and D. Downey, London, England, United Kingdom: Benjamin Disraeli, Earl of Beaconsfield, K. G., ca 1880. Carbon print with extensive cracking. HP.2001.05 / 201516
  94. M. Dubois, Paris: P.O.P. portrait of a standing man in Turkish ? outfit; in studio setting, ca 1890s. HP.2003.41 / 201581
  95. Duc Jeune (Hippolyte Antoine Duc), Grenoble, France: Embossed enameled carbon print of a standing man in uniform with saber and hiking staff, in studio setting, ca 1890s. Full back design including exhibition medals from 1886 and 1891. HP.2001.22 / 187190
  96. L. Duchatel, Tournai, France: Two young men with studio balustrade, one wearing a pince-nez on string, 1860s. HP.2001.05 / 201417
  97. H. Eckert (1933-1905?) and J. Müllern, Prague: Little girl in white with winged hat, sitting on studio rock, 1879. Pencil on back: Josefine Waldstein, 16.5.1879.” Elaborate back imprint with medals. HP.2001.05 / 201396
  98. H. Eckert (1933-1905?) and J. Müllern, Prague: Vignetted “fuzzy ball” back of head of “Josefine Waldstein, Mai 1879,” with shoulders and top of dress back very lightly drawn in with ink; pencil #2407 and caption on back. HP.2001.05 / 201397
  99. H. Eckert (1933-1905?) and J. Müllern, Prague: Josefine Waldstein sitting in child’s chair in studio, 1880. Ink back caption with one line illegible; all edges cut down from oversized card. HP.2001.05 / 201398
  100. Elliott and Fry, London, UK: Bust of Alfred, Lord Tennyson with hat, ca 1870. Facsimile signature below print on front. Red back imprint with crowned arms of Order of the Garter. HP.2001.13 / 186686
  101. Elliott and Fry, London: Cardinal Henry Edward Manning (1808-1892), Catholic Bishop of England, 1860s. HP.2001.05 / 201517
  102. Elliott and Fry, London: Vignetted bust of an unidentified man in clerical collar, ca 1860s. No HP# / 201758
  103. J. Ephraim, Jr., Arnhem, Netherlands: Small girl kneeling on footstool playing with a tea set and dolls, ca 1870. HP.2001.05 / 201489
  104. W. A. Eurenius and P. Ludwig Quist, “Royal Photographers,” Stockholm: Horizontal view of regional Leksand (Dalarne / Dalecarlia) costume sculpture group with hunter and reindeer carved by C. A. Soderman, 1860s; hand colored. HP.2001.05 / 201503
  105. W. A. Eurenius and P. Ludwig Quist, “Royal Photographers,” Stockholm: “Paroisse de Vingaker” costume sculpture of two men carved by Soderman (in the Scandinavian Ethnography Museum, Stockholm), 1860s; hand colored. HP.2001.05 / 201504
  106. Johann Eberhard Feilner (1802-1869), Bremen, Germany [the first settled photographer in the city]: Bemused young man with silk hat in hand, standing cross-legged by studio balustrade and drape ca 1860 HP.2001.13 / 186636
  107. Giuseppe Felici, Rome: Young priest with large hat, arm on column pillar, 1881. Bottom edge trimmed. Ink inscription on back, “To my dear friend / Miss (?) G. Kaerle / Yours very sincerely / J. L. Lang / Rome, Italy / 2 Aug 1881.” Possibly a student at the American College of the Vatican? HP.2001.05 / 201471
  108. Franck [trade name of Francois Marie Louis Alexandre Gobinet de Villecholles, better known for extensive career in Spain], Paris: Man in chair by table with inverted tall silk hat ca 1858 HP.2001.13 / 186623
  109. H. Franze, Ybbs a/d Donau, Austria: Standing couple; man holds cigar, woman holds flowers, ca 1890. HP.2001.05 / 201536
  110. James Freeman, London: ¾ view of seated man with moustache looking down at open photo album on lap 1881-82 [only listing in London directory]. Small back imprint giving only name and address. HP.2001.13 / 186687
  111. Frantisek Fridrich (1829-1892), Prague: #55 Interior view of “Sprudel” Hot Spring Hall, Karlsbad, Bohemia, 1860s-70s. HP.2001.05 / 201399
  112. Frantisek Fridrich (1829-1892), Prague: #99 street scene “Alte Wiese, Karlsbad,” Bohemia, 1860s-70s. HP.2001.05 / 201400
  113. Frantisek Fridrich (1829-1892), Prague: #71 “Prague – Astronomical Clock in the old city hall, 1860s-70s. HP.2001.05 / 201401
  114. William Edward Friese Greene, Clifton, Bath and Plymouth, England: Embossed enameled vignetted near profile portrait of a woman with a high collar, ca 1880. HP.2002.08 / 201752
  115. William Edward Friese Greene, Bath, England: Woman with jeweled hair band, holding basket with flowers on rustic studio fence, ca 1875. HP.2002.08 / 201753
  116. William Edward Friese Greene, Bath and Plymouth, England: ¾ standing woman in studio setting, holding cloth object, ca 1875-80. HP.2002.08 / 201754
  117. William Edward Friese Greene, Bath and Plymouth, England: Seated woman in studio setting, resting hands on fur-draped table, ca 1875-80. HP.2002.08 / 201755
  118. [Bromide DOP, blind-stamped image] John Froling (Sweden, 1865 – Christiania/Oslo 1932): Young woman in sailor dress, standing by table with potted plant, and woman with parted waved hair and ribbon, seated in studio setting ca 1905. Small art nouveau imprint in Swedish indicates probably made before Norway’s independence in 1907. HP.2001.13 / 186667
  119. [Mat collodion print on gray card] Carl Fuchs, Calw [in Wiirttemberg near Stuttgart, Germany]: Infant in white seated on fur ca 1900-05. Full back imprint with studio building HP.2001.13 / 186637
  120. A. Gabler, Interlaken, Switzerland: Horizontal view of three men in foreground above glacier in valley, ca 1870s. Ink caption on back, “Maderanerthal Glacier of Hüfi.” HP.2001.05 / 201508
  121. A. Gabler, Interlaken, Switzerland: Horizontal view of a train and tunnel, with numerous men, “1067 Le gr. Tunnel du St-Gotthard, pres Afrolo.” No HP# / 131994
  122. [Semi-gloss P.O.P. print] Christian Ganderup (1855- ? ), Holbaek, Denmark: Standing woman by seated woman, both with long chain necklaces ca 1900 HP.2001.13 / 186607
  123. Garcin, Geneva, Switzerland: “No 279 Le Righi Staffel,” depicting an alpine setting with funicular train ascending, ca 1860s-1870s. HP.1982.81 / 103028
  124. A. Gebhard, Pohorella, Slovakia (Austro-Hungarian Empire): Seated rustic man, in rural clothing with pouch, cape and rawhide? Shoes; in studio setting, ca 1860s. Small back imprint with pencil notation in old German script, “Rumaen Treiber,” which may indicate he is a Romanian drover or cattle herder. HP.2001.13 / 186750
  125. Edouard Gerschel, Reims, France: Glossy P.O.P. print #12869 Infant girl sitting on pillow on fur, ca 1900. HP.2001.05 / 201418
  126. Jules Géruzet, Brussels, Belgium: Seated Catholic bishop or archbishop, 1860s. HP.2001.05 / 201381
  127. Jules Géruzet, Brussels, Belgium: Standing Catholic monsignor or bishop, 1860s. HP.2001.05 / 201382
  128. Jules Géruzet, Brussels, Belgium: Standing Catholic priest, 1860s. HP.2001.05 / 201383
  129. Jules Géruzet, Brussels, Belgium: Standing young boy in velvet jacket, holding open book on table, ca 1865. HP.2001.05 / 201570
  130. Géruzet Frères: Carbon print of young woman with arms over back of couch, dated 27 January 1881. HP.2001.05 / 201545
  131. Géruzet Frères: Carbon print ¾ bust of young man, dated 14 July 1888. HP.2001.05 / 201546
  132. Géruzet Frères: Carbon print ellipse masked bust of woman with fringed scarf, ca 1875-77. HP.2001.05 / 201547
  133. Géruzet Frères: Carbon print of girl sitting on studio boulder, holding basket and twig, ca 1880. HP.2001.05 / 201548
  134. Géruzet Frères: Carbon print of small boy standing by girl sitting on couch, both in dresses, 29 June 1879. Ink inscription provides names and birth dates. HP.2001.05 / 201549
  135. Géruzet Frères: Carbon print of two standing boys in dark suits, white ribbon ties and button shoes, ca 1880s. HP.2001.05 / 201550
  136. Géruzet Frères: Carbon print ¾ bust of young man with loop tie pin, ca 1880s. HP.2001.05 / 201551
  137. Géruzet Frères: Carbon print of standing boy with legs crossed and arm on table, ca 1880s. HP.2001.05 / 201552
  138. Géruzet Frères: Carbon print of standing boy in dark suit, with hand on chair and elbow on table, ca 1880. HP.2001.05 / 201553
  139. Ghémar Frères, Brussels, Belgium: Emperor Maximillian and Empress Carlotta of Mexico, standing in studio setting. No HP# / 131998
  140. Ghémar Frères, Brussels, Belgium: Standing jurist in robes and mortarboard, 1860s. HP.2001.05 / 201384
  141. Ghémar Frères, Brussels, Belgium: Standing tonsured priest in cassock andn light hooded cape, with crucifix, 1860s. HP.2001.05 / 201554
  142. Ghémar Frères, Brussels, Belgium: Ellipse masked ¾ bust of man with thick moustache and beard, 1860s. HP.2001.05 / 201555
  143. Ghémar Frères, Brussels, Belgium: King Leopold I of the Belgians, ca 1860. HP.2003.41 / 201577
  144. Mme. Gonthier-Cornand, Gand/Ghent, Belgium: Ellipse masked embossed enameled P.O.P. print ¾ bust of woman with knitted tie, 1880s. HP.2001.05 / 201571
  145. Adam Gosney, Dorchester and other cities, England: Vignetted P.O.P. bust of woman with floral bouquet on dress and brooch, ca 1890. HP.2003.41 / 201590
  146. Jules Gotté, Bourges, France: Glossy P.O.P. Standing soldier with sword and fort backdrop, 1890s. Black spotting; ink caption on back, “Arthur Mangenet [?]” HP.2001.05 / 201419
  147. [Semi-gloss ellipse-embossed and masked print] William Green, Norham, Northumberland, England (United Kingdom): ¾ bust of woman with hair drawn back into snood with ribbon bow on top and faceted jet jewelry ca 1885-90. Pale violet full back imprint with name in stylized script written over in ink, “Miss Rebecca Dickinson, Norham.” HP.2001.13 / 186688
  148. [Semi-gloss print] Peter Greenhalgh, Bolton and Farnsworth, England (United Kingdom): Dubious small boy in dress with toy wheelbarrow before studio backdrop ca 1890 (?). Full back imprint with locations, notice of patent license for the Chromotype Process in the region, and drawing of potted plant. HP.2001.13 / 186689
  149. Albert Greiner, Amsterdam, Netherlands: Young girl in elaborate, layered dress, with hands on open book on table, in studio setting, ca 1880-85. Full back imprint with medals won in 1870s and arms of Dutch royal house. HP.2001.13 / 186659
  150. [Semi-gloss P. O. P.] Albert Greiner, Amsterdam: Infant in white dress in large chair ca 1890-91 HP.2001.13 / 186660
  151. Ulric Grob, Paris: Standing bearded man, holding tall silk hat, in studio setting, ca 1860s. HP.2003.41 / 201582
  152. Ulric Grob, Paris: Enameled ellipse masked bust of “Tonigini, niece Amelia Ramelli.” HP.2002.08 / 201750
  153. C. Grönhagen, Kowna (Kaunas), Lithuania: Oversized flush mounted semi-gloss print of a small girl seated on a stuffed leather chair with hand on photo album on table, by potted palm, ca 1900. Green back design with photo-recording angel and cupid holding picture and palette, text in Russian Cyrillic. HP.2001.05 / 201501
  154. Groom and Company, Plymouth, England (United Kingdom): Worn-looking man with moustache, sitting cross-legged in chair by carved table with vase of flowers; he holds a book on lap ca 1860s. Center back imprint of two lions with arms of diagonal cross and four castles under pencil name, “Koning.” HP.2001.13 / 186690
  155. Groom and Company, Plymouth, England (United Kingdom); Standing man in suit, with moustache and beard, holding cane, with hand on back of studio chair with tall silk hat ca 1860s. Center back imprint of two lions with arms of diagonal cross and four castles. HP.2001.13 / 186691
  156. Henri Guérard, Paris: #140 Rue de la Paix, Place Vendôme, 1860s. Discolored band on right side; ink caption on back. HP.2001.05 / 201420
  157. Antoine Guipet, "Sole Representative of the Pantheon of the Imperial Order of the Legion of Honor for the Departments of La Cote-d' Or and of Saone-et-Loire," Dijon: Standing man with legs crossed, leaning on pedestal and holding silk hat in other hand ca 1860 HP.2001.13 / 186624
  158. [Card trimmed round at top] Jean Gut and Company, Zurich: 3/4 bust of young man with sideburns ca 1875. Full back imprint in brown on white with woman in classical drapery, sitting on clouds, preparing to write in album HP.2001.13 / 186680
  159. J. Hatherill, Bermondsey, England, United Kingdom: Ellipse masked bust of Louis Adolphe Thiers (1797-1877), French President, statesman, and historian, ca 1870. Apparently an issue of a French portrait. HP.2001.05 / 201518
  160. Alfred François Hautecoeur (formerly Maison Martinet), Paris: #174 Chateau de Versailles, ca 1870 (unusual orange color). HP.2001.05 / 201421
  161. C. Hautrive, Brussels, Belgium: Color toned lithographic CdV: King of Holland (Willem II). HP.1997.38 / 166958
  162. C. Hautrive, Brussels, Belgium: Gold toned lithographic CdV: Emma, Queen of Holland. HP.1997.38 / 166959
  163. Hays, Edinburgh, Scotland, United Kingdom: “Bobbie MacNair” in tweed Scottish kilt suit with bow tie, standing by ball on floor and studio balustrade, ca 1870. Back imprint below ink identification. HP.2001.13 / 186710
  164. Helios [i. e. Alfred Cailloue, successor to Maison Langrene], Strasbourg: Vignetted bust of man with bow tie and velvet collar coat 1870s [Full back imprint, noting ''Photography for all" above cut of sun] HP.2001.13 / 186625
  165. Hellis and Sons, (Photographer to His Highness Akbaloddowla, ex King of Oude [former enclave in India]), London: Vignetted ¾ head of a girl with hair combed down, ca 1890. HP.2003.41 / 201587
  166. [Enameled embossed POP on card cut off crooked at bottom] Alexander L. Henderson, London, England (United Kingdom): Young woman in profile with hair braided and piled on back of head, leaning on leather chair back ca 1880. [An odd flaw in the print gives an impression that she is blowing smoke.] Full back imprint gives locations and notes “By Appointment to the Queen” and “Photographer in Enamel.” HP.2001.13 / 186692
  167. Carl Herberth (1822-1892), Vienna, Austria: Rudolf Pohorschelek in suit, overcoat, and silk hat, with cigar in mouth, sitting spread-eagled on double studio couch, 1864. Small back imprint and pencil identification and date. HP.2001.13 / 186734
  168. Carl Herberth (1822-1892), Vienna, Austria: Young man in suit, standing by studio table, with hand on upright book, next ot very old seated woman in striped crinoline with shawl and lace bonnet, ca 1860-65. Horizontal full back imprint in white script on very pale yellow field. HP.2001.13 / 186735
  169. Carl Hintner (b 1828), Salzburg, Austria: Monk seated at small double-manual organ with carved medallion of harpist on top [possibly the notable 13th-century Franciscan church, since the back imprint states Hintner as photographer to St. Peter in Salzburg], ca 1865. Back imprint of cupids with scroll of studio details. HP.2001.13 / 186736
  170. Hisgen Brothers, “American Photography,” Amsterdam: Ellipse masked bust of a Black woman in African dress, holding a little girl and a doll, possibly Surinamese, 1870s. HP.2001.05 / 201490
  171. Fritz Hjertzell [of the firm of C. A. Hardh), Helsingfors [i.e. Helsinki]: Three-quarter bust of young woman in beaded jacket with multi-strand necklace ca 1880. [Full back design in red with medal for Emperor Alexander II of Russia and Finland] HP.2001.13 / 186615
  172. Adolph Hoffmann, Dresden, Germany: Serious small child in dress, standing in fringed studio chair, holding up part of large American flag, 1860s. Print half detached from card and card layers separating. HP.2001.05 / 201451
  173. L. Hölbling, Vienna, Austria: Soldier in full uniform and backpack, kneeling on rocky cliff side, with ramrod hammer rifle, 1866. Small back imprint with repeated pencil notation not fully legible and previous ink inscription in old German script. (The pencil seems to indicate something about being on guard.) HP.2001.13 / 186737
  174. [Hand-colored albumen] W. Hornung, Tübingen, Germany: Six women in regional costume ofWürttemberg, seated and standing in studio setting ca 1870. Pencil identification and red back imprint defining Hornung as a painter HP.2001.13 / 186638
  175. Juan Hortelano, Valladolid, Spain: Military cadet in uniform with sword, cap on draped table in studio, ca 1875-80. Back imprint with arms and note of appointment by the Queen. HP.2001.13 / 186670
  176. Charles d’Hoy (1823-1892), Gand, Belgium: Seated young nun with breviary, 1870s. HP.2001.05 / 201380
  177. J. L. T. Huijsen, Hoorn, Netherlands: Barefoot infant in crochet dress, seated sideways in fringed studio chair, holding toy horn, ca 1880. Back imprint notes exhibition record. HP.2001.13 / 186661
  178. [Ellipse-cut albumen mounted on white card upside down over studio imprint, which can be read through] [Johannes Frederik] Hulk (1829-1911) and [Pieter] Vlaanderen (1840-1878), Amsterdam: 3/4 bust of old man in tweed suit. Pencil notation on blank back indicates that the subject died 25 August 1868 HP.2001.13 / 186662
  179. J. Huyghe, Menin, Belgium: High-gloss carbon print with raised center embossing; ellipse masked ¾ bust of boy, 1880; full back design with fanciful medallions of Daguerre, Niepce, and Talbot. HP.2001.05 / 201556
  180. Ideal Photo Gillis, Belgium?: Dark glossy print, possibly from a photo machine; Horizontal view of two women in a studio setting of a donkey cart, 30 Mar 1925; gouging on faces, pencil on back, “Faire St. Joss” and date, suggesting that picture made at a fair concession. HP.2001.05 / 201535
  181. Ivimey and Ward, London, England (United Kingdom): Woman in full street dress, seated in profile with one hand holding book open on studio table ca 1860-65. Small red back imprint with initials logo. HP.2001.13 / 186693
  182. C. Jachenwitz, Cleve, Germany: Horizontal view of “Schwanenburg” Castle, 1860s. HP.2001.05 / 201452
  183. Jacquin Frères, Valence, France: Carbon print on beveled edge, debossed card. Vignetted half-length portrait of unidentified man, ca 1900. HP.1998.28 / 173335
  184. Johannes Jaeger, “Photographer to the Royal Palace,” Stockholm: Horizontal view of a palace, 1860s. HP.2001.05 / 201505
  185. Carl von Jagemann (1819-1883; Royal appointment 1864), Vienna, Austria: Two older bearded men in suits sitting together in affectionate pose, ca 1865-70. Pink back imprint with medals and note of appointment, with pencil notation, “Shathi” (?) and indication they are brothers Anton and Joachim _______. HP.2001.13 / 186738
  186. Carl von Jagemann (1819-1883; Royal appointment 1864), Vienna, Austria: Standing woman in full crinoline street costume, trimmed with fur, ca 1865-70. HP.2001.13 / 186739
  187. G. Jagemann, Eisenach, Germany: #20. The House of Martin Luther, Eisenach, Germany, ca 1860s. HP.2003.31 / 201732
  188. A. Jager, Amsterdam: #5663 Nieuwe Gracht (New Canal), Utrecht, 1860s. HP.2001.05 / 201491
  189. W. F. Jantsch, Reichenburg, Germany: #69 Horizontal view of “Colonade in Wartenberg I,” with well-dressed men in garden (apparently a resort), 1860s. HP.2001.05 / 201453
  190. W. F. Jantsch, Reichenburg, Germany: #69 Horizontal view of “Colonade in Wartenberg II,” strolling garden without people, 1860s. HP.2001.05 / 201454
  191. [Semi-gloss P. O. P. on tan card] de Jong, Leeuwarden, Netherlands: Young woman in corseted dress with puffed shoulders and choker collar, holding flat straw hat, standing in studio ca 1895-1905. Horizontal full back imprint in brown on tan of cupid photographing draped cupid by classical pedestal HP.2001.13 / 186657
  192. [Scuffed semi-gloss P.O.P. on silver-stamped gray card] de Jong, Leeuwarden, Netherlands: Vignetted bust of young woman in Frisian regional costume with lace cap and throat pin of script letter "A" ca 1895-1900. Horizontal full back imprint in blue-green on gray. HP.2001.13 / 186656
  193. F[rancis] de Jongh, Vevey, France: Woman in elaborate full gathered dress and beaded cape, with hair in ringlets, seated sideways in carved chair by studio table, ca 1875-80. HP.2001.13 / 186679
  194. Gust. Joop and Co., Stockholm: ¾ bust of man with side whiskers, ca 1870. Back ink inscription in French, “A. Michenstierna, Ade de Camp to His Royal Highness M ___ the Crown Prince Oscar of Sweden and Norway.” HP.2001.05 / 201506
  195. Jornet Brothers, San Sebastian, Spain: View of San Sebastian, “Vista General de San Sebastian Tomada des de el Alto de Concorenea.” No HP# / 131780
  196. Jornet Brothers, San Sebastian, Spain: General view of “La Playa y del Castillo Vista Tomada des de la Carretero de Hermani.” No HP# / 131781
  197. August Kampf (Prussian, born 1836), "Atelier de Photographie," Aix-la-Chapelle (France), Gand (Belgium), and Zwolle (Holland); came from Aix-la-Chapelle to Gand 1866-68 and active in all three locations ca 1872: Vignetted bust of woman with large earrings and cameo at throat. Gummed back label with eagle and all location addresses. HP.2001.13 / 186640
  198. Karl Karlson, Karlskrona, Sweden: Standing sailor with hand on stand with potted plant; studio backdrop of ocean and boat hull, ca 1870; hand colored. HP.2001.05 / 201507
  199. [Horizontal image glossy POP with hand tinting] Hugh Kerr, Londonderry, N. Ireland (United Kingdom): British soldier and small boy in sailor suit, seated in faux studio setting of small rowboat on lake ca 1890s. Central back imprint with face in sun. HP.2001.13 / 186705
  200. Max Ketzler, Innsbruck, Austria: Semi-gloss P.O.P., Uniformed soldier with saber in studio setting, ca 1900. HP.2001.22 / 187189
  201. [Glossy P. O. P. print] Niels Pedersen Kirkegaard (1868-1958), Holbæk, Denmark: Man in suit standing by studio table with faux flowers, book, and Cabinet card of woman with parasol ca 1900-05 HP.2001.13 / 186609
  202. [Semi-gloss P.O.P. print] Morten Johannes Knudstrup (1854-1940), Frederikshavn, Denmark (with summers in Skagen): Horizontal view of mother with small girl and young woman sitting on grass before outdoor backdrop, August 1901. HP.2001.13 / 186610
  203. [Albumen print on yellow card cut off at bottom] [Julius] von Kolkow, Groningen, Netherlands: Seated woman in elaborate layered taffeta dress, with arm on marble-top table ca 1870-75. Full back imprint in red noting medals won in 1866 and 1869. [The photographer is noted as having been important in the region for natural and colored work as well as for early use of photo-lithography.] HP.2001.13 / 186665
  204. J. Krieger (1820-1889), Krakow, Poland: Tower of the Fortress, Krakow, 1860s; pencil caption in French on back. HP.2001.05 / 201498
  205. J. Krieger (1820-1889), Krakow, Poland: #73 The Gate of St Thomas, Krakow, 1860s; pencil caption in French on back. HP.2001.05 / 201499
  206. Sigmund Kuhe, Wieden, Vienna, Austria: Young woman leaning on studio balustrade, ca 1865-70. Center back imprint [firm not recorded in Austrian histories] HP.2001.13 / 186740
  207. W. G. Kuijer and Sons, “Palace Photographers,” Amsterdam: Glossy enameled print of a seated priest with cape and book, with crucifix, 1870s. Back design in green with royal arms and date of founding in 1864; pencil word at top “Dominican” ? HP.2001.05 / 201492
  208. M.H. Laddé, Amsterdam, Netherlands: Oversize cdv of small boy in sailor suit with toy horse, ca 1895. HP.1999.42 / 176862
  209. Jean Baptiste Lagriffe (Brevete S. G. D. G.), Paris: Seated priest (appears to be a copy of painting on coarse cloth), ca 1860. HP.2001.05 / 201422
  210. A. van den Langenbergh, Antwerp: Semi-gloss P.O.P. print; vignetted ¾ bust of young woman with tightly curled hair, ca 1900. HP.2001.05 / 201566
  211. E. and J. Lauder, Dublin, Ireland: Woman in elaborate dress with parasol, in studio setting, 1880s. HP.2003.31 / 201688
  212. Alphonse Le Blondel (d. 1875), Lille, France: Seated priest in dark cassock and white cape, ca 1860. HP.2001.05 / 201423
  213. Leach, Armley, England (United Kingdom): Vignetted bust of man with blue eyes, hair in wings above ears, and jawline beard ca 1880 (?). Central back imprint of studio with easel holding portfolio and partly draped portrait of Shakespear, with art and photography equipment below. HP.2001.13 / 186694
  214. Lecomte, France (lacking city imprint, probably Paris): Embossed enameled ellipse masked bust of a woman, ca 1880s. HP.2002.08 / 201745
  215. Wilhelm Lehmann, Landscape painter and photographer, [Summer branch studio in] Heitzing, Austria: 2 copies of same image: man in suit and lounging robe with fez and tassel, seated in studio by draped table with papers, holding floor length pipe. Center back imprint with pencil notation on one copy, ''Papa c 1867" HP.2001.13 / 186731
  216. Wilhelm Lehmann, Landscape painter and photographer, [Summer branch studio in] Heitzing, Austria: Seated man in hunting suit, holding hammer shotgun in leafy studio setting, ca 1865-70. HP.2001.13 / 186732
  217. Augustin Aime Joseph LeJeune, "Photographer by Appointment to His Highness the Imperial Prince," Paris: Priest seated at table, breviary ca 1868-70 HP.2001.13 / 186626
  218. [Mat collodion on gray card] Georg (?) Lemkie, Berlin, Germany: Bust of man with moustache, Windsor tie, and pince-nez ca 1900 HP.2001.13 / 186641
  219. [Semi-gloss P. O. P.] Hubert Lill, "Court Photographer," formerly [studio of] Emile Buhler, Mannheim, Germany: Bust of man with moustache and beard; imprinted 1898. Back imprint with arms of Grand Duchy of Baden HP.2001.13 / 186642
  220. [Semi-gloss print] [Samuel Robert] Lock and [George C.] Whitfield, London and Brighton, England (United Kingdom): #20235 B Vignetted ¾ bust of bearded man with horsehoe tie pin ca 1890. Violet back imprint with two crowns and Prince of Wales feathers. HP.2001.13 / 186695
  221. London Stereoscopic and Photographic Company, London, England, United Kingdom: Profile portrait of Emperor Franz Josef of Austria. HP.1998.28 / 173281
  222. London Stereoscopic and Photographic Company, London, England, United Kingdom: “Prof Owen” (i.e. Sir Richard Owen, surgeon, anatomist, Superintendent of Natural History of the British Museum), ca 1870. HP.2003.31 / 201641
  223. London Stereoscopic and Photographic Company, London, England, United Kingdom: Thomas Cook, English originator of the travel agency, ca 1870. Label on back, “Exchange photo / a Memento / of / Educational Tour / 1873 / with kindest regards of Thos. Cook.” HP.2003.31 / 201642
  224. [Mat collodion on gray card] Constantin Luck, Dusseldorf, Germany: Large man with beard and moustache standing with arm around wife's shoulders, by studio chair; lightly vignetted July 1904. Back imprint notes studio telephone and has greetings from couple in German handwriting HP.2001.13 / 186643
  225. Fritz Luckhardt (Germany 1843-1894), Vienna, Austria: Young woman in theatrical costume, standing in studio setting of ancient ruins and rocky hill, ca 1867-75. Full back imprint in red on yellow, with script name based on photographer’s signature. Front has violet ink notation, “Schaumburger,” but it is uncertain whether this is the subject or a reference to a region in Germany; the woman is probably a dancer, given her outfit. HP.2001.13 / 186741
  226. [Bottom of card trimmed] Ludovisi y su Señora, “Roman Photographers,” Valencia, Spain: Man with moustache and sideburns, seated in reversed chair, with his arms on its back, ca 1865-70. Full back imprint with cut of Roman wolf with Romulus and Remus. HP.2001.13 / 186751
  227. Antoine Lumière, Lyon, France: Unidentified seated man, ca 1875. HP.1998.28 / 173334
  228. Mme. Macaire-Silbermann (Catholic Photography), Tourcoing, France: Enameled collodion print of elderly man in skullcap and clerical collar, holding cane, 1890s. HP.2001.05 / 201424
  229. Mackay, Glasgow, Scotland, United Kingdom: Woman in crinoline and street dress, standing by table, footstool and chair in studio setting, ca 1860s. Blue central imprint notes “Portrait Painter and Photographer.” HP.2001.13 / 186711
  230. William Mackay, Edinburgh, Scotland: Large group of mostly women and children, gathered outdoors, August 1878. HP.2003.31 / 201723
  231. James Magill, Belfast, N. Ireland (United Kingdom): Young boy in short suit, standing cross-legged by studio chair with ball and toy sailboat on seat, holding toy spade ca 1875. Ink notation on back, “John Allan Rodgers” below studio logo with phoenix and note, “Patronized by His Excellency the Lord Lieutenant” [i.e., British Governor] HP.2001.13 / 186706
  232. Eugene Gonzalve Malardot, Metz: Napoleon III standing in studio ca 1868-70; the time and location are correct for the end of the Franco-Prussian War when Napoleon attempted to escape in that direction HP.2001.13 / 186627
  233. Joseph van Marcke (1806-1885), Liège, Belgium: Standing woman in ball gown, ca 1870. Heavily painted in red, gold and gray. HP.2001.05 / 201392
  234. Charles Marle, Paris: Standing boy in school uniform, with arm on chair ca 1860 HP.2001.13 / 186628
  235. Xaver Massak, Vienna, Austria; Ballerina in studio setting, ca 1875. Red back design on yellow, with medals won; pencil notations in two hands in German script, neither fully legible, but one is probably the subject while the other is “Carl ____.” HP.2001.13 / 186742
  236. Ferdinand Matzerath, Leipzig, Germany: Genre scene staged in studio: young girl watching older man asleep in chair while holding long porcelain pipe and dreaming of young woman at spinning wheel, ca 1860s. Extensive handwritten inscription in old German script on back translated as, “Such most loveliest little genre pictures. Many thousands of different assortments, very readily saleable article. The whole lot 100 times 5M (100 assortments 5 Marks)...” Blind stamp on lower margin. HP.2001.13 / 186649
  237. [Henry] Maull and Company, London: Half-length standing man with Windsor tie, one hand in pocket ca 1870. Back imprint with national arms and pencil notation, "The Czarevitch" [i. e. The Crown Prince of Russia Alexander (1845-1894; reigned as Alexander III 1881-1894; father of Nicholas II)] HP.2001.13 / 186696
  238. György Mayer (b 1817), Pest, Hungary: Seated woman in striped crinoline with large sleeves and lace petticoats; feet on cushion, in studio setting, ca 1860s. Small rubber stamp back imprint. HP.2001.13 / 186749
  239. Mayer Brothers [Ernest Leopold (French, 1817-ca1865) and Louis Frederic (French); firm listed in London 1855-69], London: “Mr. H. Jubber” standing in French style studio setting with arm on pedestal with inverted silk hat 1863. Back imprint with French Imperial arms and London address, with “Br” added in ink after printed name of firm. HP.2001.13 / 186697
  240. [Ernest Leopold] Mayer and [Pierre Louis] Pierson, Paris: semi-gloss print of young man in carved studio chair; inscribed on back, “September 1861.” HP.2001.05 / 201425
  241. J. C. van der Meer Mohr, Maastricht, Netherlands: vignetted albumen print of moustached man in suit with large hat of odd style; he wears a medal on his coat, a medallion on ribbon around his neck and a diagonal tri-color sash with a cockade and tassels, ca 1890. [Thus far, no clue as to whether this is an official or lodge or organizational regalia; possibly a civic guard or city government person.] HP.2002.05 / 187441
  242. [Paul] Metenier and [late partner or successor Georges] Arloing, Vichy, France: Embossed enameled print portrait of seated bishop?, ca 1875 (bottom of card trimmed). HP.2001.05 / 201426
  243. R. Milliken, Kirkcaldy, Scotland, United Kingdom: Elderly bearded man in small derby seated with hands reversed on knees in studio rural setting with fence, ca 1865-70. Full back imprint with garter circled castle. HP.2001.13 / 186712
  244. A. Milne, Arbroath, Scotland: Three generations of men arranged in conversation group in studio setting ca 1875. Central back imprint; Abbey House location suggests this is the second generation photographer to operate there according to Treadwell and Darrah’s Stereographers... Vol. 1, which notes another name earlier. HP.2001.13 / 186713
  245. C.H.A. Mirande, The Hague, Netherlands: King Willem III of the Netherlands. HP.1998.28 / 173284
  246. R. Minzloff, Tilsit, Germany: Balding man wearing wire glasses and cross medal on coat. Horizontal imprint on back with 1891 award. HP.2001.05 / 201455
  247. [Horizontal toned mat collodion print on gray] Steen Moller, Goteborg, Sweden: Young woman in dress with large upper sleeves and large lace collar, leaning head on hand propped on back of chair; inscribed December 1907 on back. Full horizontal back imprint in blue-green on gray, with studio building in wreath and medals above large name; ink inscription in old Swedish script not fully legible. This photographer apparently was Danish and operated in both countries earlier than this picture was made] HP.2001.13 / 186699
  248. Molsberger and Christmann, Arolsen and Warburg, Germany: The Duchess of Albany, sister of Queen Emma of the Netherlands [Helena Frederica 1861-1922, daughter of Prince Georg Viktor of Waldeck and Pyrmont; wife of Prince Leopold, son of Queen Victoria of England], ca 1882. HP.2001.04 / 184332
  249. James Molyneux, Manchester, England, United Kingdom: Ellipse masked bust of soldier with “65.A” on collar, 1860s. Scuffed. Full back design in red on pink with U.S. Eagle, arms and flags. HP.2001.05 / 201519
  250. Félix Jacques Moulin, Paris: Sculptor’s head of the violinist Nicolo Paganini, mounted on wood block with spikes, ca 1860s. (Small gummed label on back plus ink inscription, “Paganini/Dantan Pere?” HP.2001.05 / 201427
  251. Félix Jacques Moulin, Paris: Sculpture of head of Emile Vanderburch atop urn-like base with carved details, 1860s. Pencil notations on front; small gummed label on back plus ink caption, “Vanderburch/Dantan Pere?” HP.2001.05 / 201428
  252. [Enameled embossed P. O. P.] C. Mouth Studio, Barnut, Directeur [ex- operator for the studios of Nadar and Walery in Paris], Lille: 3/4 bust of bearded man with bow tie ca 1890 HP.2001.13 / 186629
  253. H. Mower, Bristol, England (United Kingdom): Young woman with hair braided and piled up, leaning with arms on fringed studio chair ca 1865-70 (?). Violet full back imprint listing special services and giving map of location. HP.2001.13 / 186698
  254. James Mudd (1821-1906?), Manchester, England (United Kingdom): Vignetted ¾ bust of woman with hair parted and pulled back ca 1865-70. Back imprint of drawing by W. Morton of setting sun over sea with Mudd’s name and address worked into waves in foreground; “Trade Mark March 1st 1865” HP.2001.13 / 186699
  255. L. Muller and Rault, Paris: Embossed enameled elliptical masked portrait of a man with curly hair, ca 1880s. HP.2002.08 / 201746
  256. W.K. Munro, Edinburgh, Scotland, United Kingdom: Young boy in short suit and straw hat, leaning against faux studio stump, ca 1875-84. Full back imprint in brown carries violet pencil notation for Mrs. Charles West’s address and orfer for a 20 x 24 enlargement—presumably the boy’s mother; the imprint notes the negative used is particularly adapted for enlarging. HP.2001.13 / 186714
  257. Nadar, Paris: Wavy haired man, leaning on pedestal, 1860s. “N” logo on card; violet ink on back with ink caption “I hiog. Regnault.” HP.2001.05 / 201429
  258. Nadar, Paris: ¾ length seated man in near profile; N logo on front; Capucines address on back imprint. HP.2003.41 / 201583
  259. Gustave Narcisse, Brussels, Belgium: Glossy P.O.P. print, vignetted ¾ bust of young woman, dated 3 May 1899. HP.2001.05 / 201557
  260. Gustave Narcisse, Brussels, Belgium: Glossy P.O.P. print, standing girl in white communion dress, ca 1900. HP.2001.05 / 201558
  261. Gustave Narcisse, Brussels, Belgium: Infant girl in off-shoulder dress and bracelets, sitting on cushion, ca 1900. HP.2001.05 / 201559
  262. Nesbitt and [Peter] Lothian, Edinburgh, Scotland, United Kingdom: Young man in suit, seated cross-legged by studio table with silk hat and rolled umbrella, 1866-68. Ink identification on back above imprint, “E.H.E. Caloaly / Charlie’s God Father.” HP.2001.13 / 186715
  263. Jean Baptiste van den Nest (1802-1873) Lithographic and Photographic Establishment, Antwerp, Belgium: Standing man leaning on chair with palette and brushes, before easel with portrait and hat, 1862-63. Card trimmed. HP.2001.05 / 201390
  264. Neurdein (Publisher), Paris, France: Copy of graphic print depicting Prince Maximilien. HP.1988.75 / 143764
  265. Neurdein (Publisher), Paris, France: Copy of graphic print depicting King Louis XIV. HP.2002.05 / 187585
  266. [High-gloss P. O. P. print] Niels Peter Nielsen (1868-1948), Copenhagen: Standing young man in suit and flat straw hat, holding cane up under arm and hand on rustic studio fence ca 1905 HP.2001.13 / 186611
  267. H. F. Oelrichs, ‘s Gravenhage, Netherlands: semi-gloss vignetted albumen print; Bust of young man with parted hair and flower on lapel, ca 1890. Gold back imprint notes use of instantaneous process. HP.2002.05 / 187442
  268. Jmandus Olsson, Stromnas, Sweden: P.O.P. Woman in travel costume, in studio setting, ca 1900. HP.2003.31 / 201648
  269. Atelier Oppler, Breslau, Germany: #5412 Profile of man with waxed hair and moustache; one hand in pocket and other holding pipe with retouched smoke, ca 1900. Semi-gloss P.O.P. print. HP.2001.05 / 201456
  270. Ordinaire, Dinard, France: Small barefoot boy in full Scottish dress, holding toy spade and sand pail, standing by rocks before painted backdrop (probably a British visitor), ca 1890. Full back imprint in gray on yellow, with cut of studio building and details of special services such as porcelain prints. HP.2001.13 / 186630
  271. Franz Pateisky, Zauchtel, Moravia, Czech Republic: Glossy P.O.P., Two boys in sailor suits, with battledore and shuttlecock rackets and bird, outdoors by foliage, ca 1900. HP.2001.22 / 187191
  272. Niels Pedersen (1868-1958), Copenhagen, Denmark: #16167 Half-length uniformed sailor with arms crossed; “Falster” on cap, ca 1910. HP.2001.05 / 201402
  273. Adolphe Peemans, Brussels, Belgium: Seated man with moustache and glasses (blotched ink work on glasses, moustache and hair), 1860s. HP.2001.05 / 201385
  274. Jean Baptiste Pellissier, Toulon, France: ellipse masked albumen; Moustached man in uniform with five medals, epaulettes and collar insignia of a crown and caduceus, ca 1880. Apparently a medical officer but the crown appears Belgian rather than French, and would not be in use in France at this time. Acquired in Amsterdam. HP.2002.05 / 187439
  275. Jean Georges Penabert, Paris: Woman in heavy beaded dress with bustle; hands on chair back, 1870s. HP.2001.05 / 201430
  276. Josse Pepermans (1832-1895), Brussels, Belgium: Standing girl by chair, holding bouquet of flowers with hand coloring., ca 1870. HP.2001.05 / 201560
  277. Alfred Perlat, Poitiers, France: Young boy in short-leg suit, leaning against older brother in uniform, seated with book on lap, in studio setting ca 1870. Back imprint in green with medals won 1865-69 and note of being photographer to the Antiquities Society of the West HP.2001.13 / 186631
  278. Pierre Petit (1831-1909), Paris: Whiskered man with arm on couch and book, 1860s. HP.2001.05 / 201431
  279. Pierre Petit (1831-1909), Paris: Bearded man leaning on chair back, 1860s. Ink notation on back, “2d etage (?) du Valvie 13 / Henri.” HP.2001.05 / 201432
  280. Pierre Petit (1831-1909), Paris: Woman in full white ball gown, holding closed fan, 1860s; bottom of card trimmed. HP.2001.05 / 201433
  281. Pierre Petit (1831-1909), Paris: Standing man with cane; hand on albums on table with inverted silk hat, 1860s; print gouged at bottom. HP.2001.05 / 201434
  282. Pierre Petit (1831-1909), Paris: (“Exclusive concession at Exposition Universelle; Photographer to the French Bishops et al.”): Ellipse masked bust of young woman with hair in wrapped-up braid, 1875. Card front imprint of Episcopal arms; back imprint in violet with arms, list of concessions, and year. HP.2001.05 / 201435
  283. Photo Compagnie Belge, Brussels: Girl in white dress, seated on studio rocks, 1904-10; full back imprint listing several locations. HP.2001.05 / 201561
  284. Photographie Américaine, Verviers, Belgium: Small boy in sailor suit with hoop, 1880s. HP.2001.05 / 201386
  285. Photographie Chicago, Brussels, Belgium: Gem miniature albumen print in carte de visite mount: Seated woman in velvet dress, in studio setting, ca 1880. HP.2003.41 / 201592
  286. Photographie Chicago, Brussels, Belgium: Gem miniature tintype in carte de visite mount: Head of a woman in a fancy hat, ca 1880. HP.2003.41 / 201593
  287. Pica-Groom, Valladolid and Santander, Spain: Cadet in uniform with sword, seated in studio chair, ca 1875-80. Full back imprint in violet and dull yellow on white with arms of Spain and the two cities plus one other not identified but likely the conjoined arms of the photographer’s hyphened name. HP.2001.13 / 186671
  288. [Very high quality mat collodion print on gray card] A. Pick, Aachen, Germany: Man in suit and white straw hat, seated in carved chair, holding cane ca 1900 HP.2001.13 / 186644
  289. G. Pilot (specialist in reproductions; plus imprint for A. Gatineau, book dealer-publisher, Orleans), Paris: Copy of painting of seated bishop with cathedral of Saint-Croix in Orleans visible out window, ca 1871-75. Bishop is Felix Antoine Philibert Dupanloup (1802-1878), Bishop of Orleans 1849-1870; defended city against the Prussians 1871; elected to National Assembly 1871 and Senate 1875. HP.2001.05 / 201436
  290. Paul Emile Placet (successor to Bisson Freres), Paris: Copy of engraving of “Our Lady of the Pillar”, Venerated in the Cathedral of Chartres,” 1864-67. (“A.D. 1850” in lower right of engraving; caption is part of print) HP.2001.05 / 201437
  291. Carlo Ponti, Venice, Italy: Palazzo Cornaro, Venice. Ink caption on back. 1860s. HP.2001.05 / 201472
  292. Carlo Ponti, Venice, Italy: Palazzo Cavalli, Venice. Ink caption on back. 1860s. HP.2001.05 / 201473
  293. Carlo Ponti, Venice, Italy: Horizontal view, Interno della chiesa dei Frari (interior of the Church of the Brothers), Venice. Ink caption on back. 1860s. HP.2001.05 / 201474
  294. Carlo Ponti, Venice, Italy: Ponte de Rialto, Venice. Ink caption on back. 1860s. HP.2001.05 / 201475
  295. Carlo Ponti, Venice, Italy: Porte dell’Altare nella Scuola S. Rocco (Door to the Altar in the School of St. Rocco), Venice. Ink caption on back. 1860s. HP.2001.05 / 201476
  296. Carlo Ponti, Venice, Italy: Monumento Colleone (equestrian statue of Colleone on high pedestal with laundry draped over iron fence), Venice. Ink caption on back. 1860s. HP.2001.05 / 201477
  297. Carlo Ponti, Venice, Italy: Scala dei Giganti (Giants’ Staircase, outside the Basilica of San Marco), Venice. Ink caption on back. 1860s. HP.2001.05 / 201478
  298. L. Powers, “Photographie Americaine,” Florence, Italy: Standing woman in black, with hands together and arm on top of studio chair, 1860s. Back imprint with American Eagle. HP.2001.05 / 201479
  299. J. J. Quist, Goes and Zeriksee, Netherlands: Standing woman in southwest Dutch regional costume, by rustic studio fence, ca 1900. HP.2001.05 / 201493

Dates

  • 1860 - 1920

Access Restrictions

Researchers may examine original material under supervised conditions in the Reading Room upon approval of request. There are no copy restrictions.

Extent

From the Class: 3.5 Linear Feet (The collection consists of over 1000 photographs, including approximately 1.5 linear feet of European images, 1 linear foot of United States and Canadian images, and 1 linear foot of images in the following subject groups: New Mexico, Latin America, Africa, Asia, U.S. Civil War, and Native American subjects.)

Language of Materials

From the Class: English

Physical Storage Information

Repository Details

Repository Details

Part of the NMHM Palace of the Governors Photo Archives Repository

http://www.nmhistorymuseum.org/collections/photo-archives/
Contact:
113 Lincoln Ave.
Santa Fe NM 87501 USA

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