Promotional Materials, 1998-2000
File — Box: 36
Scope and Contents
From the Series:
The twelfth series of the Lloyd H. New Papers consists of 111 folders from 1959-2008 and is divided into 5 sub-series: Foundations, Indian Arts and Crafts Board, Conferences, Museums, and Lloyd Kiva New American Indian Design Association.
The first sub-series, Foundations, contains 12 folders of documents relating to Mr. New’s service on various museum and arts associations advisory boards, such as the American Indian Institute’s Elders Circle, the Native American Preparatory School, Native Roots & Rhythms, the National Endowment for the Arts, and SWAIA’s Indian Market.
The second sub-series, Indian Arts and Crafts Board, contains 18 folders and is divided into 3 sub-series: Administration, Catalogues, and Newsletters. The first sub-series, Administration, contains 10 folders of program planning, meeting minutes, correspondence, press, and miscellaneous. The second sub-series, Catalogues, contains 6 folders of IACB Indian Art exhibition brochures. The third sub-series, Newsletters, contains 2 folders of newspapers “Indians at Work” and “Smoke Signals.”
The third sub-series, Conferences, contains 21 folders of various documents relating to conferences and symposia around the world where Mr. New was an attendee, a speaker, or a panel member. Most notably, Mr. New attended the Harvard Summer Institute and the UNESCO’s World Crafts Council, spoke at the US International Communication Agency Conferences in South America, and was part of roundtable discussions at the Ontario Educational Communications Authority and the Australian Council for the Arts Aboriginal Symposia
The fourth sub-series, Museums, contains 43 folders and is divided into 5 sub-series: General, the Heard Museum, the Native American Center for the Living Arts, the Plains Indian Museum, and the Smithsonian Institution. The first sub-series, General, contains 7 folders of documents about various museums and cultural arts organizations, such as the Museum of Northern Arizona, the Owensboro Museum of Fine Art, the Georgia O’Keeffe Museum, the Museum of Indian Arts and Culture, the Denver Art Museum’s Indian Chic exhibition, and the Venice Biennale. The second sub-series, the Heard Museum, contains 3 folders of brochures, correspondence, and press. The third sub-series, Native American Center for the Living Arts (The Turtle Museum), contains 6 folders of architectural drawings, exhibition participants and catalogue documentation, correspondence, invoices, and promotional materials. The fourth sub-series, the Plains Indian Museum, contains 5 folders of correspondence, events, press, promotional materials, and miscellaneous documents. The fifth sub-series, the Smithsonian Institution, contains 22 folders and is divided into 3 sub-series: Administration, The Gustav Heye Center, and The National Museum of the American Indian. The first sub-series, Administration, contains contracts, invoices, correspondence, memoranda, press, photographs, as well as Mr. New’s Senate Testimony about the NMAI and the Board of Trustees rosters. The second sub-series, The Gustav Heye Center, contains 7 folders about the Customs House Renovation, promotional materials, and the inaugural exhibitions and catalogue. The third sub-series, The National Museum of the American Indian, contains 5 folders of documents about the Vision Workshop, the two architectural firms, promotional materials, and an Allan House Drawing for an outdoor dance circle.
The fifth sub-series, The Lloyd Kiva New American Indian Design Association, or LKNAIDA, contains 17 folders of documents about the Mission Statement, the Proposal, the Business Plan, the Rationale, the Board of Directors, meeting minutes, letterhead, contracts, correspondence, fundraising, potential donors, product designs, handwritten notes, and press, as well as files on the organization’s manager and fundraising consultant.
The first sub-series, Foundations, contains 12 folders of documents relating to Mr. New’s service on various museum and arts associations advisory boards, such as the American Indian Institute’s Elders Circle, the Native American Preparatory School, Native Roots & Rhythms, the National Endowment for the Arts, and SWAIA’s Indian Market.
The second sub-series, Indian Arts and Crafts Board, contains 18 folders and is divided into 3 sub-series: Administration, Catalogues, and Newsletters. The first sub-series, Administration, contains 10 folders of program planning, meeting minutes, correspondence, press, and miscellaneous. The second sub-series, Catalogues, contains 6 folders of IACB Indian Art exhibition brochures. The third sub-series, Newsletters, contains 2 folders of newspapers “Indians at Work” and “Smoke Signals.”
The third sub-series, Conferences, contains 21 folders of various documents relating to conferences and symposia around the world where Mr. New was an attendee, a speaker, or a panel member. Most notably, Mr. New attended the Harvard Summer Institute and the UNESCO’s World Crafts Council, spoke at the US International Communication Agency Conferences in South America, and was part of roundtable discussions at the Ontario Educational Communications Authority and the Australian Council for the Arts Aboriginal Symposia
The fourth sub-series, Museums, contains 43 folders and is divided into 5 sub-series: General, the Heard Museum, the Native American Center for the Living Arts, the Plains Indian Museum, and the Smithsonian Institution. The first sub-series, General, contains 7 folders of documents about various museums and cultural arts organizations, such as the Museum of Northern Arizona, the Owensboro Museum of Fine Art, the Georgia O’Keeffe Museum, the Museum of Indian Arts and Culture, the Denver Art Museum’s Indian Chic exhibition, and the Venice Biennale. The second sub-series, the Heard Museum, contains 3 folders of brochures, correspondence, and press. The third sub-series, Native American Center for the Living Arts (The Turtle Museum), contains 6 folders of architectural drawings, exhibition participants and catalogue documentation, correspondence, invoices, and promotional materials. The fourth sub-series, the Plains Indian Museum, contains 5 folders of correspondence, events, press, promotional materials, and miscellaneous documents. The fifth sub-series, the Smithsonian Institution, contains 22 folders and is divided into 3 sub-series: Administration, The Gustav Heye Center, and The National Museum of the American Indian. The first sub-series, Administration, contains contracts, invoices, correspondence, memoranda, press, photographs, as well as Mr. New’s Senate Testimony about the NMAI and the Board of Trustees rosters. The second sub-series, The Gustav Heye Center, contains 7 folders about the Customs House Renovation, promotional materials, and the inaugural exhibitions and catalogue. The third sub-series, The National Museum of the American Indian, contains 5 folders of documents about the Vision Workshop, the two architectural firms, promotional materials, and an Allan House Drawing for an outdoor dance circle.
The fifth sub-series, The Lloyd Kiva New American Indian Design Association, or LKNAIDA, contains 17 folders of documents about the Mission Statement, the Proposal, the Business Plan, the Rationale, the Board of Directors, meeting minutes, letterhead, contracts, correspondence, fundraising, potential donors, product designs, handwritten notes, and press, as well as files on the organization’s manager and fundraising consultant.
Dates
- 1998-2000
Access Restrictions
Access is by appointment only. There may be restrictions to this collection; please contact the archivist for more information. IAIA reserves the right to restrict any or all materials as necessary to protect IAIA, American Indian religious and cultural practices, and individual and financial privacy.
Extent
From the Sub-Series: 2.0 Cubic Feet
Language of Materials
From the Collection: Undetermined
Repository Details
Part of the Institute of American Indian Arts Repository
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