This collection of sound recordings was donated to the John Donald Robb Archive of Southwestern Music by Antonio Garcia. The music is mainly from San Juan Pueblo, New Mexico, with a few songs of the Huichol of Mexico. In addition, several songs are from the Iroquois and one is from the Ojibwa or Chippewa Tribe.

This is a copy of the field recordings made by Charlotte S. Johnson on the Navajo Reservation in 1963-1965. There are large segments of Navajo dialogue with English translations. The collection contains a wide range of songs and oral histories that provide an in depth view of Navajo religion, society and history.

The collection contains recordings of Navajo, Hopi and Pueblo songs, as well as a few Apache, Ute, and Kiowa songs. A major part deals with the history and use of sand paintings, native medicine and star beliefs. There are also Matachines dances, a Los Pastores program and a concert of songs performed by the University of Chihuahua Folkloric group. The collection includes detailed explanations of the selections.

This collection consists of 51 CDs containing oral interviews with Frank Day, Bryan Beavers and Leland Scott, members of the Maidu-Concow tribe.

This collection of sound recordings was re-recorded in 1965 from a collection at the Mendocino County Schools, California. It contains Indian songs sung by Leland Fullwider, Chief Mitoma of the Little Lake Pomo tribe, and other items such as a discussion of acorn soup and pinole foodstuff.

These recordings contain Hispanic folk music and songs of the Isleta and Laguna Pueblos.

The collection contains a Spanish mariachi song, “No Hay Cosa Como La Madre” composed by Frank and Bruna Mares for Frank’s mother.

This collection of sound recordings was donated to the John Donald Robb Archive of Southwestern Music by the Music Department of the University of New Mexico. It consisted of three reels of pre-1963 commercial recordings of Native American music from Mexico and the Southwestern United States, which have been reformatted to CD.

This broad collection contains traditional Southwestern Native American and Hispanic folk music, and popular music, dances, poetry readings and interviews collected in the 1970s and 1980s. Also included are Spanish medieval music, a Belen Los Pastores presentation, Matachines music from Tortugas, a Corrales history pageant, Anglo American country western songs and fiddle tunes, Laotian songs from Albuquerque, and a lecture by John Donald Robb.

This collection contains interviews with several California Maidu informants and songs and stories. There are also songs from the Sioux, Paiute and Shoshone tribes.

This is a collection of songs composed by Juan Sebedeo Lucero, along with a few other traditional New Mexico songs, sung by Lucero and family members. Included are alabanzas or songs of praise, corridos, romances, rancheros and samples of a few other song types such as an indita, polka and a waltz.

This collection consists primarily of recordings of traditional Hispanic folk music performed by musicians in Santa Fe, Chama, Tierra Amarilla, and Bernal, New Mexico. Included are a few ragtime, country, Mexican tunes, and other favorites.

The collection contains Native American music from San Juan, San Felipe, Laguna, Taos and Zuni Pueblos, as well as the Navajo and Hopi. The songs were recorded in the 1940s by Manuel Archuleta, of San Juan Pueblo.

This is a collection of Native American songs and a story from the Western Mono of California. Also included are songs from the Sioux tribe of South Dakota.

This collection contains three CDs with Navajo children and adults performing social songs.

This collection of sound recordings was donated to the John Donald Robb Archive of Southwestern Music by the Music Department of the University of New Mexico. It consisted of three reels of pre-1963 commercial recordings of Mexico music, which have been reformatted to three cassettes. Represented in the collection are canciones, corridos, rancheras, huapangos, vals (waltzes) and marchas.

The collection contains country western songs from Portales and music from a Spanish Catholic mass and fiesta in Santa Rosa, New Mexico.

This collection consists of 278 sound recordings made in 1950 and 1965. It contains social songs, dances, violin and vocal presentations, oral history interviews and commentaries about Native American customs, social life, ceremonies and rituals.

The collection contains Native American music from Jemez Pueblo, New Mexico. The songs were recorded in the early 1970s by Paul Tosa of Jemez Pueblo. Included are traditional Jemez Pueblo Buffalo, Deer, Corn, Bow and Arrow and Harvest Dance songs.

This collection contains recordings of New Mexican fiddlers performing in their homes and at state fiddle contests, and a live KUNM folk music show. Included are discussions of the evolution of American folk songs, bowing techniques, history of the performers, etc. Represented are old style New Mexico, Texas, and Appalachian fiddle tunes, Anglo-American and Celtic folk songs.

The collection contains alabados, Holy Week songs, prayers and songs for the deceased and Christmas Los Pastores songs. There are discussions of the songs with the singers and interviews with them about their personal lives.